Medicom Ultra Detail Figure: Hostel Action Figure

• Based off of Eli Roth's sensational film, Hostel
• Imported from Japan
• Measures nearly 7" tall
• Includes variant parts
• Includes detailed helmet and apron

No Description Available.
Genre: Horror
Rating: UN
Release Date: 23-OCT-2007
Media Type: DVDWith repulsion levels at least comparable to Cannibal Holocaust, Herschell Gordon Lewis' Blood Feast, and other gory slasher landmarks, Eli Roth's Hostel 2 reconfigures ideas of violence to test how down and dirty a horror film can get. The film raises the stakes, leaving those who wish to make a sicker film out in the lurch for the time being. This sequel, like the first Hostel, is set in and around a Slovakian factory where European students are kidnapped, tortured, and killed by rich businessmen who pay enormous sums to experience death firsthand. An in! ternational elite, all tattooed with a bulldog insignia, bid on young people to slaughter in a mob-organized, high-end, sex-slave trade catering to those with a death fetish. In Hostel 2, three girls from Rome, Beth (Laura German), Whitney (Bijou Phillips), and Lorna (Heather Matarazzo), are lured to Slovakia by a sultry, vampiric hottie (Vera Jordonova) who modeled for them in figure drawing class. Sidetracked and disoriented by some Pagan Slovakian festivals and luxurious hot springs, the girls slip away one by one, until the film moves inside the torture chambers. One client sits in a bathtub beneath her victim, who she slices with a scythe to bathe in blood, Elizabeth Bathory-style. Body parts fly as clients entering the facilities select their weapons of choice in a room full of knives, power tools, and rubber clothing. As ridiculous as it sounds, haunting soundtrack and cinematography set a disturbing mood. Morbid humor, for example when a chainsaw unplugs cent! imeters from a victim's face, pays homage to Hostel 2's! schlock y predecessors. Fortunately, one survivor remains, providing an ounce of vengeful, and sexy, satisfaction. As in the best exploitation films, gratuitous sex and violence are the norm here. What will be a warning to some to avoid this gruesome movie will be to others a cue to head straight to the theater. --Trinie DaltonHephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book contains chapters focused on Films set in Slovakia, and Hostel films.HOSTEL PART II - Blu-Ray MovieWith repulsion levels at least comparable to Cannibal Holocaust, Herschell Gordon Lewis' Blood Feast, and other gory slasher landmarks, Eli Roth's Hostel 2 reconfigures ideas of violence to test how down and dirty a horror film can get. The film raises the stakes, leaving those who wish to make a sicker film out in the lurch for the time being. This sequel, like the first Hostel, is set in and around a Slovakian factory where European students are kidnapped, tortured, and killed by rich businessmen who pay enormous sums to experience death firsthand. An international elite, all tattooed with a bulldog insignia, bid on young people to slaughter in a mob-organized, high-end, sex-slave trade catering to those with a death fetish. In Hostel 2, three girls from Rome, Beth (Laura German), Whitney (Bijou Phillips), and Lorna (Heather Matarazzo), are lured to Slovakia by a sultry, vampiric hottie (Vera Jordonova) who modeled for them in figure drawing class. Sidetracked and disoriented by som! e Pagan Slovakian festivals and luxurious hot springs, the gir! ls slip away one by one, until the film moves inside the torture chambers. One client sits in a bathtub beneath her victim, who she slices with a scythe to bathe in blood, Elizabeth Bathory-style. Body parts fly as clients entering the facilities select their weapons of choice in a room full of knives, power tools, and rubber clothing. As ridiculous as it sounds, haunting soundtrack and cinematography set a disturbing mood. Morbid humor, for example when a chainsaw unplugs centimeters from a victim's face, pays homage to Hostel 2's schlocky predecessors. Fortunately, one survivor remains, providing an ounce of vengeful, and sexy, satisfaction. As in the best exploitation films, gratuitous sex and violence are the norm here. What will be a warning to some to avoid this gruesome movie will be to others a cue to head straight to the theater. --Trinie DaltonImported from Japan! From Medicom of Japan comes this latest release in their "Ultra Detail Figure" series, the helme! ted torturer from Eli Roth's cult horror sensation, Hostel! Measuring nearly 7" tall, this figure features realistic detailing, including a detailed Helmet and Apron, plus variant parts!

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iLap Laptop Stand 15â W for MacBook Pro by Rain Design (10025)

• Keeps your laptop cool by using light weight aluminum as cool sink.
• Allows your laptop to run more efficiently and last longer
• Raises your laptop to keep your lap cool
• Padded with cushions for extra comfort
• Ergonomically designed to suit both lap and desk works, so you stay cool even on prolonged use

‘At a time when the poor of the world seem to be rising up, I found myself deeply moved and completely enthralled by this film.’ â€" Michael Moore

Costa and Sebastián arrive in Cochabamba, Bolivia, to shoot a period film about Columbus’s arrival in the Americas. Sebastián, the director, wants to upturn the entire conservative myth of Western Civilisation’s arrival in the Americas as a force for good. His story is about what Columbus set in motion; the obsession with gold, the hunt for slaves by Spanish mastiffs, and punitive violence to those I! ndians who fought back. Costa, the producer, doesn’t care what happened yesterday never mind five centuries ago, he just wants to get the job done on time and within budget. The battle to get their film made intertwines with the fight of their Bolivian crew members, deprived of their most basic rights, prohibited from collecting even the rain.

As Sebastián and Costa struggle with their film, the violence in the community in which they shoot increases by the day until the entire city explodes into the now infamous Bolivian Water War of April 2000. Five hundred years after Columbus, sticks and stones confront the steel and gunpowder of a modern army. David against Goliath once again. Only this time they fight not about gold, but the simplest of life-giving elements: water.

Features full screenplay with extra scenes and introductions from Paul Laverty and Icíar Bollaín.

Winner, Audience Award, Berlin Film Festival 2011
Bridging Border! s Award, Palm Springs International Film Festival
Four Pr! ogressiv e Film Awards
Thirteen Goya Award Nominations
Spain’s Official Entry for the 2011 Academy Awards
‘At a time when the poor of the world seem to be rising up, I found myself deeply moved and completely enthralled by this film.’ â€" Michael Moore

Costa and Sebastián arrive in Cochabamba, Bolivia, to shoot a period film about Columbus’s arrival in the Americas. Sebastián, the director, wants to upturn the entire conservative myth of Western Civilisation’s arrival in the Americas as a force for good. His story is about what Columbus set in motion; the obsession with gold, the hunt for slaves by Spanish mastiffs, and punitive violence to those Indians who fought back. Costa, the producer, doesn’t care what happened yesterday never mind five centuries ago, he just wants to get the job done on time and within budget. The battle to get their film made intertwines with the fight of their Bolivian crew members, deprived of their most basic rights, pr! ohibited from collecting even the rain.

As Sebastián and Costa struggle with their film, the violence in the community in which they shoot increases by the day until the entire city explodes into the now infamous Bolivian Water War of April 2000. Five hundred years after Columbus, sticks and stones confront the steel and gunpowder of a modern army. David against Goliath once again. Only this time they fight not about gold, but the simplest of life-giving elements: water.

Features full screenplay with extra scenes and introductions from Paul Laverty and Icíar Bollaín.

Winner, Audience Award, Berlin Film Festival 2011
Bridging Borders Award, Palm Springs International Film Festival
Four Progressive Film Awards
Thirteen Goya Award Nominations
Spain’s Official Entry for the 2011 Academy Awards
From the director of Drugstore Cowboy and My Own Private Idaho comes a star-studded comedy based on the best-selling novel by Tom Robbins. T! he cowgirls on the Rubber Rose Ranch are staging a rebellion! . Delore s Del Ruby (Bracco) is leading the uproarious uprising, but it?s really Sissy Hankshaw (Thurman) who?s providing the spiritual leadership for this rag-tag bunch of female bandits. With her marvelous thumbs and her funky brand of femininity, she shatters all male chauvinist illusions and boldly goes where no woman has gone before.If someone ever put together a what-were-they-thinking top 10, Even Cowgirls Get the Blues would surely make the list. Based on Tom Robbins's '70s ode to freedom, whooping cranes, and ambisexuality, this Gus Van Sant film sat on the shelf for almost a year before its brief release. More of a curiosity than anything else, it tells the convoluted story of Sissy Hankshaw (Uma Thurman), the world's greatest hitchhiker by virtue of her mammoth, um, thumbs. She falls in with a lesbian collective at a dude ranch and, well, the rest is kind of a mess. Kind of? Let's say it's a monumental mess, one of those films that's like a 25-car pileup on! the interstate that you have to stop and look at, just to figure out what people like Keanu Reeves, Roseanne, John Hurt, and Angie Dickinson are doing there. A great score by k.d. lang, by the way. --Marshall FineMade of silver anodized aluminum alloy, the iLap notebook stand is specially designed to match the Apple Powerbook's elegant finish.Amazon.com Product Description iLap. Stay cool. Wherever.

The award-winning, patented iLap is a versatile stand that lets you use a laptop comfortably on your lap or on a desk. As a lap stand, the iLap keeps you cool by shielding your body from the laptop's heat, and it does so comfortably with its two velvet cushions. The front cushion supports your wrist while you type and the back swivel base contours to your lap.

Cool lapto! p, cool lap, and cool posture. Learn more.!

The iLap's lightweight aluminum base acts as a heat sink to keep your laptop cool too, so it'll run more efficiently and last longer. As a desk stand, the iLap provides better ergonomics by raising the laptop screen higher to reduce neck and shoulder strains.

It also tilts the keyboard so you can type with your wrist straight to prevent carpal tunnel syndrome. An external keyboard is not required.

The iLap 15" W fits the Apple MacBook Pro 15" and Powerbook 15". The iLap comes in six other sizes to suit both Mac and PC notebooks. Awarded Laptop Magazine Editor's Choice for laptop stand.

Features include:

• Cooling: The iLap's aluminum material and design keeps your laptop cool by drawing heat away from the laptop and increasing cool air flow around it. The iLap also shield your body from the heat of the laptop, preventing discomfort and burns.
• Ergonomics:
  The iLap raises your screen to a more comfortab! le eye level, reducing neck and shoulder strain. The soft front cushion supports your hand and arm while the tilted angle of the keypad allows you to keep your wrist straight to prevent Carpel Tunnel Syndrome.
• Comfortable: The two velvet cushions makes the iLap very comfortable to use on your lap and is a feature not found on other laptop stands. The front cushion can be removed for desk use.
• Versatile: The iLap is designed to let you work comfortably on your lap and at your desk. An added convenience is the ability to type directly on your laptop's keypad so you don't have to use an external keyboard.

What's in the box
iLap laptop computer holder, detachable front cushion

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About Schmidt : Widescreen Edition

• Widescreen

Warren Schmidt (Nicholson) is about to taste a not so sweet slice of life. When he retired, he and his wife Helen had big plans, but an unexpected twist changed everything. Now, all of Schmidt's attention is focused his daughter's upcoming wedding to a loser waterbed salesman. From meeting hippie parents to sponsoring a Tanzanian foster child, Schmidt embarks on a search for answers...and discovers that life is full of trick questions.

DVD Features:
DVD ROM Features
Deleted Scenes
Theatrical Trailer:Deleted Scenes - 9 scenes Woodmen Sequences Theatrical Trailer - 16X9 Widescreen More theatrical trailers from New Line: Unconditional Love I Am Sam Link to Original Website Childreach.org link

While confirming Jack Nicholson's status as an American national treasure, About Schmidt is sure to provoke polarized reactions. Stoked by ! the success of Election, director Alexander Payne and cowriter Jim Taylor have altered Louis Begley's novel to suit their comedic agenda, turning Nicholson's titular character into a 66-year-old, newly retired Omaha insurance actuary, weary from decades of drudgery and passionless marriage. When his wife suddenly dies, he attempts to reclaim his life in a king-sized Winnebago, desperate to convince his daughter (Hope Davis) not to marry the Denver dimwit (Dermot Mulroney) whose mother (Kathy Bates) has her own baggage of peculiar peccadilloes. Nicholson perfectly (and often hilariously) nails the seething anger beneath his character's façade of resignation, but Payne and Taylor convey cold-hearted contempt for these Midwestern malcontents. Think of this as Ikiru with bleaker humanity, until Schmidt finds meaning--and some small reward--in a quiet gesture of goodwill. Love it or hate it, About Schmidt is a movie you won't soon forget. --J! eff ShannonWarren Schmidt (Nicholson) is about to taste a ! not so s weet slice of life. When he retired, he and his wife Helen had big plans, but an unexpected twist changed everything. Now, all of Schmidt's attention is focused his daughter's upcoming wedding to a loser waterbed salesman. From meeting hippie parents to sponsoring a Tanzanian foster child, Schmidt embarks on a search for answers...and discovers that life is full of trick questions.

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LG Dare Silver Phone (Verizon Wireless)

• Multimedia-oriented smartphone boasting spacious 3-inch touchscreen with handwriting recognition
• Access Verizon's V Cast Music and Video service via fast EV-DO data network; GPS-enabled for turn-by
• 3.2-megapixel camera/camcorder with Schneider-Kreuznach lens; Bluetooth stereo streaming; MicroSD ex
• Up to 4.7 hours of talk time, up to 360 hours (15 days) of standby time; measures 4.1 x 2.2 x 0.5 in
• Includes: Handset, travel adapter/USB cable, user guide, quick reference guide, music CD

Emmy Rossum (The Phantom of the Opera), Zach Gilford (TV's Friday Night Lights) and Ashley Springer (Teeth) head up a stellar cast including Ana Gasteyer (Mean Girls), Rooney Mara (A Nightmare on Elm Street), comedienne Sandra Bernhard (TV's Roseanne) and Alan Cumming (X2: X-Men United) in this captivating story of high! school seniors at the crossroads of their adult lives. When a pompous actor tells good girl Alexa (Rossum) that she hasn't lived, she embarks on a bold journey that takes her to mysterious bad boy Johnny (Gilford). Envious, her shy best friend Ben (Springer) also dares to pursue Johnny, complicating Alexa's romance and pushing the boundaries among the three friends.

Stills from Dare ! With empathy, low-key h! umor, an d discreet sexual suggestiveness, Adam Salky expands his 2005 short into a critical look at the way stereotypes can define--and confine--teenagers. While working on a senior-class production of A Streetcar Named Desire, three "types" collide: the good girl, the best friend, and the bad boy. Party girl Courtney (Rooney Mara) serves as the glue that binds the unlikely trio. Her studious friend, Alexa (The Phantom of the Opera's Emmy Rossum), doesn't think rich boy Johnny (Zach Gilford) takes things seriously enough. Alexa's other friend, the sexually ambiguous Ben (Teeth's Ashley Springer) supports her at the expense of his own needs, but their roles shift after theater actor Grant Matson (Alan Cumming in a too-short cameo) observes a rehearsal and praises Johnny's naturalism at the expense of Alexa's stiffness (Ben works the lights). The virginal Alexa decides to take Grant's advice to live a little, even seducing Johnny at a party. Their newfound closene! ss strains her relationship with Ben until he acts on a similar impulse, confusing the increasingly vulnerable Johnny further. The speed with which the central characters change doesn't always ring true, but the cast, including Ana Gasteyer as Ben's mother and Sandra Bernhard as Johnny's therapist, invests a schematic scenario with believability. Gilford, in particular, shines in his first significant part since nice-guy quarterback Matt Saracen on NBC's Friday Night Lights. Fans of Pretty in Pink and Cruel Intentions, to which Dare bears some comparison, should find Salky's first feature of particular interest. --Kathleen C. FennessyMultimedia-oriented smartphone boasting spacious 3-inch touchscreen with handwriting recognition. Access Verizon's V Cast Music and Video service via fast EV-DO data network, GPS-enabled for turn-by. 3.2-megapixel camera/camcorder with Schneider-Kreuznach lens, Bluetooth stereo streaming, MicroSD ex. Up to 4.7! hours of talk time, up to 360 hours (15 days) of standby time! , measur es 4.1 x 2.2 x 0.5 in. Includes: Handset, travel adapter/USB cable, user guide, quick reference guide, music CD

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