Friday, December 2, 2011

The Chumscrubber Poster Movie UK 27x40

  • Approx. Size: 27 x 40 Inches - 69cm x 102cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • The Chumscrubber UK Style A 27 x 40 Inches Poster
  • Packaged with care and shipped in sturdy reinforced packing material
The Chumscrubber is a darkly satiric story about life crumbling in the midst of a seemingly idyllic suburbia.A guy holding his own head, a look from The Chumscrubber. Funny . About our Ringer T: The Ringer T has made a fashion comeback, and ours is a popular favorite. This classic style is sure to impress even the most discerning t-shirt connoisseur with an eye for retro-coolness. Great for relaxing in comfort year-round.5.5 oz. 100% preshrunk cotton. Double-needled neck and trim. Standard fit..A guy holding his own head, a look from The Chumscrubber. ! Funny Tee, TShirt, Shirt. About our Jr. Ringer T-Shirt: Our womenrsquo;s ringer tees from Hyp are made of 100% fine cotton jersey.4.8 oz. 100% fine jersey cotton. Size up for a looser fit. Contrasting neck and cuff trim as well as contrasting stitching . .A guy holding his own head, a look from The Chumscrubber. Funny . About our Baseball Jersey: Our 100% cotton Baseball Jersey is a sporty hit with both men and women whether you're in the game or just looking the part in great run-around casual-wear. Choose red, blue or black sleeves. 6.1 oz. 100% heavyweight cotton. Standard fit. 3/4 length contrasting raglan sleeves.Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. The Chumscrubber is a 2005 dark comedy film directed by Arie Posin and written by Posin and Zac Stanford, starring an ensemble cast. The film focuses on the lack of communication between teenagers and their parents, and the prevalence! of prescription drugs in American society. The title of the f! ilm refe rs to a character that helps his friends to survive in a superficial world by keeping things authentic and is portrayed in form of a video game omnipresent in the teenagers' lives, in which a post-apocalyptic hero carries his severed head in his hand as he fights the forces of evil. One day in the fictional town Hillside in Southern California, the supplier of prescription medication to the students at the local high school, Troy Johnson (Josh Janowicz), commits suicide. Troy's friend Dean Stifle (Jamie Bell), who found the body, is prescribed further antidepressants by his father Bill (William Fichtner), a psychiatrist. The Chumscrubber reproduction poster print

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Choke

  • ISBN13: 9780307388926
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Victor Mancini's a medical school dropout with a problem. He needs to pay for elder care for his mother, who's got Alzheimer's. So he comes up with the perfect scam: pretending to choke in upscale restaurants and getting “saved” by fellow diners who, feeling responsible for Victor's life, offer him financial support.Meanwhile, he cruises sexual addiction recovery workshops and spends his days working at Colonial Dunsboro, where his stoner colleagues are sentenced to the stocks for any deviation from the colonial lifestyle. Oh, yeah, and he's desperate to find the truth of his paternity, which his addled mother suggests may be divine.Victor Mancini is a ruthless con artist. Victor Mancini is a med-s! chool dropout who's taken a job playing an Irish indentured servant in a colonial-era theme park in order to help care for his Alzheimer's-afflicted mother. Victor Mancini is a sex addict. Victor Mancini is a direct descendant of Jesus Christ. All of these statements about the protagonist of Choke are more or less true. Welcome, once again, to the world of Chuck Palahniuk.

"Art never comes from happiness." So says Mancini's mother only a few pages into the novel. Given her own dicey and melodramatic style of parenting, you would think that her son's life would be chock-full of nothing but art. Alas, that's not the case. In the fine tradition of Oedipus, Stephen Dedalus, and Anthony Soprano, Victor hasn't quite reconciled his issues with his mother. Instead, he's trawling sexual-addiction recovery meetings for dates and purposely choking in restaurants for a few moments of attention. Longing for a hug, in other words, he's settling for the Heimlic! h.

Thematically, this is pretty familiar Palahniuk terri! tory. It would be a pity to disclose the surprises of the plot, but suffice it to say that what we have here is a little bit of Tom Robbins's Another Roadside Attraction, a little bit of Don DeLillo's The Day Room, and, well, a little bit of Fight Club. Just as with Fight Club and the other two novels under Palahniuk's belt, we get a smattering of gloriously unflinching sound bites, including this skeptical bit on prayer chains: "A spiritual pyramid scheme. As if you can gang up on God. Bully him around."

Whether this is the novel that will break Palahniuk into the mainstream is hard to say. For a fourth book, in fact, the ratio of iffy, "dude"-intensive dialogue to interesting and insightful passages is a little higher than we might wish. In the end, though, the author's nerve and daring pull the whole thing off--just barely. And what's next for Victor Mancini's creator? Leave the last word to him, declaring as he does in the final pa! ges: "Maybe it's our job to invent something better.... What it's going to be, I don't know." --Bob Michaels

Divine Intervention

  • DIVINE INTERVENTION writer-director Elia Suleiman has been compared to Woody Allen and Charlie Chaplin, presumably because he has Allen's intelligent, self-deprecating humor and Chaplin's gift for silent comedy. DIVINE INTERVENTION is not a silent film, but an intensely quiet comedy about daily life in the West Bank and Israel. Suleiman provides a series of not-altogether-related vignettes
Slayer's 1994 album Divine Intervention boasted songs about Jeffrey Dahmer ("213," his apartment number) and Reinhard Heydrich ("SS-3") amongst other themes of murder and the evils of church and government.After pretty much inventing and pioneering death metal in the early '80s, Slayer spent years playing as fast and with as much intensity as they could muster. But after 1986's pinnacle of death, Reign in Blood, the band decided to explore the slower side of intense volume, so it tempered the tempos ! and indulged in a darker, more atmospheric sound. But with 1994's Divine Intervention, the band proved it could still race to the finish line. Somewhat messier than much of their earlier output, the record makes up in brutality whatever it lacks in precision. If "Killing Fields," "Circle of Belief," and "Sex, Murder, Art" quicken the pulse, the hardcore velocity-fest "Dittohead" will cause the heart to explode in showers of Divine gore. Not for the timid. --Jon Wiederhorn"Sci-fi and mystery fans will love this book." --Writer's Digest

CFBI agent Jasmine McLellan leads a psychically gifted team in the hunt for a serial arsonist--a murderer who has already taken the lives of three people.

Jasi and her team members--Psychometric Empath and profiler Ben Roberst and Victim Empath Natassia Prushenko--are joined by Brandon Walsh, the handsome but skeptical Chief of Arson Investigations. In a manhunt that takes them from Vancouver to Kelowna, Pent! icton and Victoria, they are led down a twisting path of sinis! ter secr ets.

Sifting through ashes and clues, Jasi realizes that there is more to the third victim than meets the eye. Perhaps not all the victims were that innocent. The hunt intensifies when she learns that someone they know is next on the arsonist's list.

Unleashing her gift as a Pyro-Psychic, Jasi is compelled toward smoldering ashes and enters the killer's mind--a mind bent on destruction and revenge. And in the heat of early summer, Jasi discovers that a murderer lies in wait...much closer than she ever imagined.

Book 1 in the Divine series; same story text as 2004 edition "Para-psychic, Para-psychotic, Para-captivating!" --Yale R. Jaffe, author of Advantage Disadvantage

"Believable characters, and scorching plot twists. Anyone who is a fan of J.D. Robb will thoroughly enjoy this one...Divine Intervention will undeniably leave you smoldering, and dying for more." --Kelly Komm, author of Sacrifice, an award-winning fantasyAt the cent! er of the Middle East conflict, hearts beat in tragic comedy and deadpan irony: a sexy young Palestinian woman defies Israeli soldiers and struts through a check-point as if it were the catwalk of a fashion show, Santa Claus is chased up the sun-drenched hills of Nazareth by a gang of knife-wielding school kids, Israeli police use a blindfolded prisoner to provide directions to tourists in Jerusalem, a Palestinian collaborator casually extinguishes his firebombed house on a daily basis, and a female ninja descends from the sky, holding the map of ‘Palestine’ as her battle shield. These are but a few of the provocative images that filmmaker Elia Suleiman puts forth in his critically-acclaimed satire chronicling the absurdities of life and love on both sides of the Palestinian-Israeli border, DIVINE INTERVENTION.

Flushed Away (Widescreen Edition)

  • Features include: -MPAA Rating: PG -Format: DVD-Runtime: 85 minutes
Set on and beneath the streets of London, Flushed Away is the story of Roddy, an upper-crust "society mouse," who is rather rudely evicted from his Kensington flat when he is flushed down into Ratropolis, the bustling sewer world found under London’s streets. There, he meets Rita, an enterprising scavenger who works the sewers in her faithful boat, the Jammy Dodger. Together they must navigate their way through a busy city filled with dangers for any mouse, including terrifying rapids, treacherous whirlpools and, most of all, the villainous Toad and his hench-rats Spike and Whitey. Though completely out of his element at first, the privileged Roddy finds himself an unlikely hero when he learns that Ratropolis is in danger from the world above.Flushed Away is a rip-roaring nautical adventure with a twist: The h! eroes are a pair of rodents braving the sewers underneath London. Roddy (voiced by Hugh Jackman) is an upper-crust house-mouse who finds himself flushed into the subterranean sewers. Eager to return to his posh home, he enlists the help of a boat-captain rat named Rita (Kate Winslet), who has troubles of her own; namely the kingpin of the underworld, the Toad (Ian McKellen), and his henchmen including the French mercenary Le Frog (Jean Reno).

While technically Flushed Away could be considered part of the wave of celebrity-voiced, anthropomorphic-animal movies that hit in 2005-2006 (Madagascar, Over the Hedge, The Wild, etc.), it doesn't inspire the same sense of déjà vu. For one thing, its voice actors are less recognizable than the likes of Bruce Willis and Chris Rock. For another, its look is very distinctive. Like Nick Park's Chicken Run and Wallace and Gromit: The Curse of the Were-Rabbit, it's a joint production of Dream! Works Animation and Aardman Features, and although Park isn't ! involved , it retains his trademark blocky look of clay animation. But animating the movie by computer rather than by hand allows for some eye-popping tableaux, such as floodwaters rushing through the sewers and an entire town of little animated characters. It's a crazy thrill ride loaded with inside jokes and enough crude humor to earn a PG rating, and the band of singing slugs is also a hoot. --David Horiuchi

On the DVD
It's no surprise that the singing slugs are the stars of the DVD's bonus features. They're featured in two music videos (less than a minute total), and in a 13-minute segment an Aardman animator builds a slug out of plasticine. (In contrast, the lesson on drawing Roddy is a mere two minutes.) A song jukebox jumps to 10 musical points in the film, though the non-slug background music isn't really worth the jump. On the human side, there are eight-minute featurettes on the music and the voices, a set-top game that is easier to control than most! such featurettes (and easier to beat too), and a commentary track by directors David Bowers and Sam Fell in which they have a grand old time remembering their inside jokes and showering love on the Spike and Whitey characters. The DVD-ROM has access to 21 more online games. --David Horiuchi


Fun Facts from Flushed Away

  • In Tabitha's room, there are a variety of dolls from previous DreamWorks Animation films, including a Gromit and several bunnies from Wallace & Gromit: The Curse of the Were-Rabbit, an Alex the Lion from Madagascar, and a Dragon from Shrek.
  • Many characters from past films make cameos in Flushed Away. For example, a Chicken Run chicken is on the second page of the Toad’s scrapbook, Gromit’s head is a pencil top in the Jammy Dodger, the penguin from Wallace and Gromit: The Wrong Trousers is on a stamp on the Jammy Dodger, an! d a poster of Wallace and Gromit: The Curse of the Were-Rab! bit is on the side of a bus in Kensington.
  • There are officially 60 million rats in the UK. That’s one rat for every person.
  • The various boats in the film are made up of flotsam and jetsam that rats could conceivably find in the sewer. For the double decker bus: Ice chest, retro flipping numbers alarm clock, bike lamp, buckle, oil drum, soup can, license plate, rope, plastic suitcase, jerry can. For the mini cooper: Soda can, battery, sardine can, butter knife, old lights.
  • Simulating the toilet water and making it look realistic proved to be a challenge. After much consideration, it was finally discovered that what was missing was caustics, or the use of light reflection off the bottom of the bowl. This was added and everyone was happy because they could finally get their mind out of the toilet.

Stills from Flushed Away (click for larger image)






Beloved

  • Oprah Winfrey and Danny Glover play the unforgettable lead roles in a powerful, widely acclaimed cinematic triumph from Jonathan Demme.On a difficult journey to find freedom, Sethe is constantly confronted by the secrets that have haunted her for years. Then, an old friend from out of her past unexpectedly reenters her life. With his help, Sethe may finally be able to rediscover who she is and reg
(Book Jacket Status: Jacketed)

Winner of the Pulitzer Prize, Toni Morrison’s Beloved is a spellbinding and dazzlingly innovative portrait of a woman haunted by the past.

Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has borne the unthinkable and not gone mad, yet she is still held captive by memories of Sweet Home, the beautiful farm where so many hideous things happened. Meanwhile Sethe’s house has long been troubled by the ! angry, destructive ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved.

Sethe works at beating back the past, but it makes itself heard and felt incessantly in her memory and in the lives of those around her. When a mysterious teenage girl arrives, calling herself Beloved, Sethe’s terrible secret explodes into the present.

Combining the visionary power of legend with the unassailable truth of history, Morrison’s unforgettable novel is one of the great and enduring works of American literature.In the troubled years following the Civil War, the spirit of a murdered child haunts the Ohio home of a former slave. This angry, destructive ghost breaks mirrors, leaves its fingerprints in cake icing, and generally makes life difficult for Sethe and her family; nevertheless, the woman finds the haunting oddly comforting for the spirit is that of her own dead baby, never named, thought of only as Beloved.

! A dead child, a runaway slave, a terrible secret--these are ! the cent ral concerns of Toni Morrison's Pulitzer Prize-winning Beloved. Morrison, a Nobel laureate, has written many fine novels, including Song of Solomon, The Bluest Eye, and Paradise--but Beloved is arguably her best. To modern readers, antebellum slavery is a subject so familiar that it is almost impossible to render its horrors in a way that seems neither clichéd nor melodramatic. Rapes, beatings, murders, and mutilations are recounted here, but they belong to characters so precisely drawn that the tragedy remains individual, terrifying to us because it is terrifying to the sufferer. And Morrison is master of the telling detail: in the bit, for example, a punishing piece of headgear used to discipline recalcitrant slaves, she manages to encapsulate all of slavery's many cruelties into one apt symbol--a device that deprives its wearer of speech. "Days after it was taken out, goose fat was rubbed on the corners o! f the mouth but nothing to soothe the tongue or take the wildness out of the eye." Most importantly, the language here, while often lyrical, is never overheated. Even as she recalls the cruelties visited upon her while a slave, Sethe is evocative without being overemotional: "Add my husband to it, watching, above me in the loft--hiding close by--the one place he thought no one would look for him, looking down on what I couldn't look at at all. And not stopping them--looking and letting it happen.... And if he was that broken then, then he is also and certainly dead now." Even the supernatural is treated as an ordinary fact of life: "Not a house in the country ain't packed to its rafters with some dead Negro's grief. We lucky this ghost is a baby," comments Sethe's mother-in-law.

Beloved is a dense, complex novel that yields up its secrets one by one. As Morrison takes us deeper into Sethe's history and her memories, the horrifying circumstances of ! her baby's death start to make terrible sense. And as past me! ets pres ent in the shape of a mysterious young woman about the same age as Sethe's daughter would have been, the narrative builds inexorably to its powerful, painful conclusion. Beloved may well be the defining novel of slavery in America, the one that all others will be measured by. --Alix WilberShows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee.Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee.Oprah Winfrey (THE COLOR PURPLE) and Danny Glover (LETHAL WEAPON IV, THE ROYAL TENENBAUMS) play the unforgettable lead roles in a powerful, widely acclaimed cinematic triumph from Jonathan Demme -- the Academy Award(R)-winning director of THE SILENCE OF THE LAMBS. On a difficult journey to find freedom, Sethe (Winfrey) is constantly confronted by the secrets that have haunted her for years. Then, an old friend from out of her past (Glover) unexpectedly reenters her life. With his ! help, Sethe may finally be able to rediscover who she is and regain her lost sense of hope. Also featuring outstanding performances from Thandie Newton (GRIDLOCK'D) and Lisa Gay Hamilton (TV's THE PRACTICE) -- you'll agree with critics everywhere who've hailed this landmark adaptation of Toni Morrison's Pulitzer Prize-winning novel as one of the year's finest films!This layered film, a labor of love from director Jonathan Demme and star Oprah Winfrey, covers a lot of turf in its nearly three-hour running time. Part slavery fable, part mother-daughter tale, part ghost story, Beloved demands an audience's full attention from its dramatic, slightly bewildering opening, when a family dog comes down on the wrong side of some angry, unseen force. But Demme and his talented cast provide an unforgettable payoff for those who surrender.

The film traces the life of Sethe (played in her middle years by Winfrey), a former slave who has rebuilt what seems to be a peaceful, p! roductive life in Ohio. Yet through chilling, sparing use of f! lashback , Demme slowly unveils, as does the Toni Morrison masterpiece on which the film is based, the horrors of Sethe's former life, and the terrible event that led to the haunting of Sethe's home.

While the horrors of slavery and the bloody event in Sethe's family leave undeniable impressions, the film's brilliance is also evidenced in smaller, equally satisfying ways. Rachel Portman's spiritual-influenced score is as uplifting as it is haunting, and the glimpses of the post-slavery African American world--as with a simple family outing to a local carnival, or a ladies' sewing-and-gospel circle--make this a treat for the intellect as well as the heart. The members of the cast, especially Kimberly Elise as Sethe's struggling daughter and Thandie Newton as the mysterious title character, are supremely affecting. --Anne Hurley

Delgo (Two-Disc Blu-ray/DVD Combo)

  • Features include: -MPAA Rating: PG -Format: Blu-Ray-Runtime: 90 minutes
When a forgotten enemy returns, the fate of the world lies with a spirited princess and an unlikely hero. Take an exciting journey to a spectacular realm of magic, fantasy, romance, and adventure.


**Special Features:
*Audio Commentary from the Directors
*Behind the Scenes
*Sounds of Delgo
*Meet the Characters
*Animated Short: Chroma Chamelon
*6 Deleted ScenesDelgo is a computer-animated film that is at once fantasy, action, and drama, with an added dose of comedy. The most amazing thing about the film, besides the fact that it was 10 years in the making, is its rich graphic rendering of a world that's unlike any other. The backgrounds have an almost painted quality and the contrast of the stark, resource depleted planet of the Nohrins and the natural, dreamlike world o! f Jhamora is striking thanks to intense color saturation and an impressive level of visual detail. Despite its uniqueness, Jhamora is plagued by an all-too-common conflict rooted in the cultural and moral differences of its two peoples. This epic story follows two young teenagers, Nohrin Princess Kyla (Jennifer Love Hewitt) and Lockni Jhamora native Delgo (Freddie Prinze Jr.), who share a common dream of cultural acceptance and cooperation as they fall into friendship and then love. Exiled Nohrin Sedessa (Anne Bancroft), who was banished from Jhamora for killing King Zahn's (Louis Gossett Jr.) wife (Princess Kyla's mother), and General Raius (Malcolm McDowell) kidnap Princess Kyla--an event which leads to Delgo and his bumbling friend Filo (Chris Kattan) being imprisoned for the crime and incites war between the two peoples. Can peace possibly return to Jhamora without the total extermination of either the Nohrin or the Lockni people? Battlefield action on the ground and in! the sky is intense and omnipresent throughout the film and th! e story is interesting, if not original, but the animation is at times rather choppy and almost video-game-like and somehow the film just isn't all that engaging. Bonus features include commentary with co-writer and producer Marc Adler, co-director and co-writer Jason Maurer, and animation and visual effects supervisor Warren Grubb; a behind the scenes look at how the voice talent shaped the film's characters, a featurette detailing the composer's and sound designer's thoughts about the sounds of Delgo; meet the characters and creatures functions, and six deleted scenes. (Ages 10 and older) --Tami Horiuchi

Stills from Delgo (Click for larger image)




 

DELGO - Blu-Ray MovieDelgo is a computer-animated film that is at once fantasy, action, and drama, with an added dose of comedy. The most amazing thing about the film, besides the fact that it was 10 years in the making, is its rich graphic rendering of a world that's unlike any other. The backgrounds have an almost painted quality and the contrast of the stark, resource depleted planet of the Nohrins and the natural, dreamlike world of Jhamora is striking thanks to intense color saturation and an impressive level of! visual detail. Despite its uniqueness, Jhamora is plagued by ! an all-t oo-common conflict rooted in the cultural and moral differences of its two peoples. This epic story follows two young teenagers, Nohrin Princess Kyla (Jennifer Love Hewitt) and Lockni Jhamora native Delgo (Freddie Prinze Jr.), who share a common dream of cultural acceptance and cooperation as they fall into friendship and then love. Exiled Nohrin Sedessa (Anne Bancroft), who was banished from Jhamora for killing King Zahn's (Louis Gossett Jr.) wife (Princess Kyla's mother), and General Raius (Malcolm McDowell) kidnap Princess Kyla--an event which leads to Delgo and his bumbling friend Filo (Chris Kattan) being imprisoned for the crime and incites war between the two peoples. Can peace possibly return to Jhamora without the total extermination of either the Nohrin or the Lockni people? Battlefield action on the ground and in the sky is intense and omnipresent throughout the film and the story is interesting, if not original, but the animation is at times rather choppy and alm! ost video-game-like and somehow the film just isn't all that engaging. Bonus features include commentary with co-writer and producer Marc Adler, co-director and co-writer Jason Maurer, and animation and visual effects supervisor Warren Grubb; a behind the scenes look at how the voice talent shaped the film's characters, a featurette detailing the composer's and sound designer's thoughts about the sounds of Delgo; meet the characters and creatures functions, and six deleted scenes. (Ages 10 and older) --Tami Horiuchi

Stills from Delgo (Click for larger image)




 


Green Hornets: The History of the U.S. Air Force 20th Special Operations Squadron (Schiffer Military History Book)

  • ISBN13: 9780764327797
  • Condition: Used - Very Good
  • Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Act two of the first year of the original team of crime-fighters! Writer Matt Wagner weaves a tale of action and adventure unlike anything else seen on the comic racks. Add in the exquisite art of Aaron Campbell and Francesco Francavilla, and you have the perfect companion to the modern day adventures of the Green Hornet from Kevin Smith! Collects issues #7-12 of the hit series, along with a complete cover gallery.Collecting issues #6-10 of the series based on Kevin Smith's unproduced Green Hornet film, this volume also features a complete cover gallery by industry greats Alex Ross, John Cassaday, J. Scott Campell, and more.The long-awaited return of the Green Hornet and Kato and their rolling arsenal the Black B! eauty! Back again with all-new stories! Moonstone is proud to present The Green Hornet Casefiles, a second anthology featuring all-new, original crime fiction tales of the man who hunts the biggest of all game - public enemies that even the FBI can't reach! It's the mid 1960's, the political climate is shaky, there's civil unrest, freedom and equality issues erupt everywhere from film to music to out in the streets. On police records, The Green Hornet is actually a wanted criminal, a master manipulator, a crime boss who has his fingers in every pie. In reality, The Green Hornet is actually Britt Reid, owner-publisher of the Daily Sentinel. Alongside him rides his partner Kato, who's not only a martial artist of unsurpassed prowess, but a skilled driver, and educated engineer as well. Their goal: to destroy crime from within by posing as criminals themselves!Official prelude to the upcoming movie starring Seth Rogen and Jay Chou as the Green Hornet and Kato! How does one ma! n's actions affect another man's? Either purposely, or inadver! tently. Or is it just destiny? This series shows how Britt Reid's actions lead to Kato coming in contact with the Green Hornet and the pair becoming the Green Hornet and Kato.The Green Hornet is back and Dynamite is the new home for the avenging hero and his faithful sidekick, Kato and the Black Beauty! And things kick off with a BANG! as Dynamite debuts Kevin Smith's unproduced Green Hornet film, featuring the one and only origin of the Green Hornet and Kato. Collecting issues #1-5, along with a complete cover gallery.The Green Hornet expansion continues as Dynamite presents the original tales of comics most iconic hero! And Matt Wagner, one of the most creative creators in comics, takes the reins, bringing the characters to their basic roots. Joining Wagner is artist Aaron (Sherlock Holmes) Campbell, whose stunning recreation of the industrial world of 30s Chicago is sure to wow fans across the globe. Reprinting issues #1-6, along with a complete cover gallery.Picking up right wh! ere Kevin Smith''s Green Hornet left off! The Black Hornet is history, but a new, even deadlier threat has grown right in the heart of Century City, and it may already be too late for The Green Hornet and Kato to stop it. How can Green Hornet scare a street gang out of business when the gang members themselves have no fear of anything - even death? Is the horrifying power behind their fearless ferocity truly supernatural? And just who is Saint Death? Collects issues #11-15 in one volume, along with complete cover gallery.In this fascinating, detailed account, Wayne Mutza takes a look deep inside this extraordinary, little-known, but very special unit of the U.S. Air Force. Published here for the first time is the colorful history of the men and their helicopters that made their living with the legendary SOG teams of the Army Special Forces. From secret cross-border missions during the Vietnam War to current operations in the Middle East. Also included is a special section o! f Green Hornet emblems, and detailed lists of every aircraft f! lown by the 20th Special Operations Squadron.

Chicago (Full Screen Edition)

  • Full Screen
Formed in its namesake city in 1967, Chicago is the first American band ever to chart albums in Billboardr's Pop Top 40 in five consecutive decades. In 2002, Rhino entered into a long-term partnership with this extraordinary group to restore their extensive, genre-defying catalogue as well as develop new projects (such as 2006's XXX, their first new studio album in a decade). Now Rhino adds to Chicago's legacy and salutes their 40th anniversary with a newly compiled 2-CD collection that spans their entire recording history, from the stellar 1969 debut LP Chicago Transit Authority to Chicago XXX. With a career encompassing five consecutive #1 albums, 13 platinum albums, 21 Top 10 singles, and many other laurels, Chicago is among the most successfully charting American groups of all time.Winner of six Academy Awards(R) (2003) including Best Picture, and starring Academy Award nomine! e (Best Actress, CHICAGO) and Golden Globe winner (Best Actress in a Musical or Comedy, CHICAGO) Renée Zellweger (BRIDGET JONES'S DIARY), Academy Award winner (Best Supporting Actress, CHICAGO) Catherine Zeta-Jones (TRAFFIC), Academy Award nominee (Best Supporting Actress, CHICAGO) Queen Latifah (BRINGING DOWN THE HOUSE), Golden Globe winner (Best Actor in a Musical or Comedy, CHICAGO) Richard Gere (UNFAITHFUL), and Academy Award nominee (Best Supporting Actor, CHICAGO) John C. Reilly (GANGS OF NEW YORK) -- CHICAGO is a dazzling spectacle cheered by audiences and critics alike! At a time when crimes of passion result in celebrity headlines, nightclub sensation Velma Kelly (Zeta-Jones) and spotlight-seeking Roxie Hart (Zellweger) both find themselves sharing space on Chicago's famed Murderess Row! They also share Billy Flynn (Gere), the town's slickest lawyer with a talent for turning notorious defendants into local legends. But in Chicago, there's only room for one legend!! Also starring Lucy Liu (CHARLIE'S ANGELS).Bob Fosse's sexy cy! nicism s till shines in Chicago, a faithful movie adaptation of the choreographer-director's 1975 Broadway musical. Of course the story, all about merry murderesses and tabloid fame, is set in the Roaring '20s, but Chicago reeks of '70s disenchantment--this isn't just Fosse's material, it's his attitude, too. That's probably why the movie's breathless observations on fleeting fame and fickle public taste already seem dated. However, Renée Zellweger and Catherine Zeta-Jones are beautifully matched as Jazz Age vixens, and Richard Gere gleefully sheds his customary cool to belt out a showstopper. (Yes, they all do their own singing and dancing.) Whatever qualms musical purists may have about director Rob Marshall's cut-cut-cut style, the film's sheer exuberance is intoxicating. Given the scarcity of big-screen musicals in the last 25 years, that's a cause for singing, dancing, cheering. And all that jazz. --Robert HortonOut-of-print in the US. Subtitled - Only The ! Beginning. Double disc with 39 hit singles spanning Chicago's complete 35-year history. Including the #1 singles 'If You Leave Me Now,' 'Hard To Say I'm Sorry' and 'Look Away'. Booklet features detailed liner notes by Bill DeYoung. Rhino RecordsFrom the perspective of 15 subsequent platinum albums and 20 top-10 hits, it's hard to imagine that Chicago began their career as a bona fide prog-fusion act, an early FM radio favorite whose jazz-tinged, album-length suites found them a hip cult following even as they confounded label execs. Ironically, when the pioneering horn band (a contemporary of Blood, Sweat & Tears and inspiration for one-hit wonders like Lighthouse, Ides of March, and Ten Wheel Drive) relented and allowed their music to be edited down to single length, their success was explosive. Most of the "single edits" on disc 1 of this 39-track anthology provide ample evidence of that de facto formula: a catchy riff ("25 or 6 to 4," "Saturday in the Park," "Color My Wo! rld") develops into a hook-filled, pop-savvy production rife w! ith the band's trademark horn perfection. One could argue that that sensibility--and a midcareer tilt toward producer David Foster, songwriter Diane Warren, and the MOR ballads that became some of their biggest successes--degenerated into formula. Indeed, there's much on the second disc to support that notion. This set spans it all, showcasing newly refocused edits of some their biggest early hits and lesser-known tracks like their lively '95 cross-cultural collaboration with the Gipsy Kings on a cover of Louis Prima's swing classic "Sing, Sing, Sing." --Jerry McCulleyChicago XXXIII, "O Christmas Three" was produced by Phil Ramone. 14 bona fide smash hit holiday favorites, all "Chicago-ized" in classic form. Guest artists include Dolly Parton, Bebe Winans, and more! This OFFICIAL listing was made directly by the band. It is the ONLY legitimate source for the album on Amazon.Winner of six Academy Awards(R) (2003) including Best Picture, and starring Academy Award nominee! (Best Actress, CHICAGO) and Golden Globe winner (Best Actress in a Musical or Comedy, CHICAGO) Renée Zellweger (BRIDGET JONES'S DIARY), Academy Award winner (Best Supporting Actress, CHICAGO) Catherine Zeta-Jones (TRAFFIC), Academy Award nominee (Best Supporting Actress, CHICAGO) Queen Latifah (BRINGING DOWN THE HOUSE), Golden Globe winner (Best Actor in a Musical or Comedy, CHICAGO) Richard Gere (UNFAITHFUL), and Academy Award nominee (Best Supporting Actor, CHICAGO) John C. Reilly (GANGS OF NEW YORK) -- CHICAGO is a dazzling spectacle cheered by audiences and critics alike! At a time when crimes of passion result in celebrity headlines, nightclub sensation Velma Kelly (Zeta-Jones) and spotlight-seeking Roxie Hart (Zellweger) both find themselves sharing space on Chicago's famed Murderess Row! They also share Billy Flynn (Gere), the town's slickest lawyer with a talent for turning notorious defendants into local legends. But in Chicago, there's only room for one legend! ! Also starring Lucy Liu (CHARLIE'S ANGELS).Bob Fosse's sexy cyn! icism st ill shines in Chicago, a faithful movie adaptation of the choreographer-director's 1975 Broadway musical. Of course the story, all about merry murderesses and tabloid fame, is set in the Roaring '20s, but Chicago reeks of '70s disenchantment--this isn't just Fosse's material, it's his attitude, too. That's probably why the movie's breathless observations on fleeting fame and fickle public taste already seem dated. However, Renée Zellweger and Catherine Zeta-Jones are beautifully matched as Jazz Age vixens, and Richard Gere gleefully sheds his customary cool to belt out a showstopper. (Yes, they all do their own singing and dancing.) Whatever qualms musical purists may have about director Rob Marshall's cut-cut-cut style, the film's sheer exuberance is intoxicating. Given the scarcity of big-screen musicals in the last 25 years, that's a cause for singing, dancing, cheering. And all that jazz. --Robert Horton

Flyboys: A True Story of Courage

  • Blue and red hardcopy. Dust jacket with scenes or flying aircraft.
Inspired by the true story of the legendary Lafayette Escadrille, this action-packed epic tells the tale of America's first fighter pilots. These courageous young men distinguish themselves in a manner that none before them had dared, becoming true heroes who experience triumph, tragedy, love, and loss amid the chaos of World War I. Hang on for the ride of your life!

World War I aviation action gets an impressive digital upgrade in Flyboys, a welcome addition to the "dogfight" sub-genre that includes such previous war-in-the-air films like Hell's Angels, Wings, and The Blue Max. While those earlier films had the advantage of real and genuinely dangerous flight scenes (resulting, in some cases, in fatal accidents during production), Flyboys takes full (and safe) advantage of the digital revo! lution, with intensely photo-realistic recreations of WWI aircraft, authentic period structures, and CGI environments requiring a total of 850 digital effects shots, resulting in an abundance of amazing images, many of them virtually indistinguishable from reality. Unfortunately, the film's technical achievement is more impressive than its screenplay, which conventionally and predictably tells the fact-based story, set in France in 1916, of the daring young pilots of the Lafayette Escadrille, a pioneering French air-combat unit that welcomed American enlistees prior to the United States' entry into the war.

There's a familiar cliché to match every thrilling scene of aerial combat, but director Tony Bill manages to keep it all interesting, from the romance between a young American maverick (James Franco) and a pretty French girl (newcomer Jennifer Decker) to the exciting action in the air, which includes a stock variety of heroes (many of them composites of real-lif! e WWI pilots) and an intimidating villain known only as "The B! lack Fal con," whose Fokker Dr-1 triplane (one of many in the film) recalls the exploits of German "ace of aces" Manfred von Richtofen, the dreaded "Red Baron" of legend. With impeccable production values that will impress even the most nit-picking aviation buffs, Flyboys (like Superman Returns and Apocalypto, also released in 2006) was also one of the first feature films to be shot with Panavision's state-of-the-art Genesis digital cameras, resulting in beautiful images that meet or exceed the visual nuance of film. Flyboys also benefits from painstaking attention to physical detail, making it easier to forgive its shortcomings as a generic and formulaic slice of romanticized history. So while some viewers may have wished for a more realistic and grown-up depiction of the Lafayette Escadrille, it's safe to say that Flyboys will be thrilling its target audience for many years to come. --Jeff Shannon

Extras ! from Flyboys



Director Tony Bill on Filming Dogfight Sequences

...On throwing away the script for pilot training

...On the real-life stunt pilot who stars in the film

Beyond Flyboys



More "War in t! he Sky" Films

SPA124 Lafayette Escadrille: American Volunteer Airmen in World War 1



More "Military and War" Films

Stills from Flyboys




Inspired by the true story of the legendary Lafayette Escadrille, this action-packed epic tells the tale of America's first fighter p! ilots. These courageous young men distinguish themselves in a manner that none before them had dared, becoming true heroes who experience triumph, tragedy, love, and loss amid the chaos of World War I. Hang on for the ride of your life!World War I aviation action gets an impressive digital upgrade in Flyboys, a welcome addition to the "dogfight" sub-genre that includes such previous war-in-the-air films like Hell's Angels, Wings, and The Blue Max. While those earlier films had the advantage of real and genuinely dangerous flight scenes (resulting, in some cases, in fatal accidents during production), Flyboys takes full (and safe) advantage of the digital revolution, with intensely photo-realistic recreations of WWI aircraft, authentic period structures, and CGI environments requiring a total of 850 digital effects shots, resulting in an abundance of amazing images, many of them virtually indistinguishable from reality. Unfortunately, the f! ilm's technical achievement is more impressive than its screen! play, wh ich conventionally and predictably tells the fact-based story, set in France in 1916, of the daring young pilots of the Lafayette Escadrille, a pioneering French air-combat unit that welcomed American enlistees prior to the United States' entry into the war.

There's a familiar cliché to match every thrilling scene of aerial combat, but director Tony Bill manages to keep it all interesting, from the romance between a young American maverick (James Franco) and a pretty French girl (newcomer Jennifer Decker) to the exciting action in the air, which includes a stock variety of heroes (many of them composites of real-life WWI pilots) and an intimidating villain known only as "The Black Falcon," whose Fokker Dr-1 triplane (one of many in the film) recalls the exploits of German "ace of aces" Manfred von Richtofen, the dreaded "Red Baron" of legend. With impeccable production values that will impress even the most nit-picking aviation buffs, Flyboys (like Superman! Returns and Apocalypto, also released in 2006) was also one of the first feature films to be shot with Panavision's state-of-the-art Genesis digital cameras, resulting in beautiful images that meet or exceed the visual nuance of film. Flyboys also benefits from painstaking attention to physical detail, making it easier to forgive its shortcomings as a generic and formulaic slice of romanticized history. So while some viewers may have wished for a more realistic and grown-up depiction of the Lafayette Escadrille, it's safe to say that Flyboys will be thrilling its target audience for many years to come. --Jeff Shannon

FLYBOYS is the true story of young American airmen who were shot down over Chichi Jima. Eight of these young men were captured by Japanese troops and taken prisoner. Another was rescued by an American submarine and went on to become president. The reality of what happened to the eight prisoners has remained a secret for almos! t 60 years. After the war, the American and Japanese governmen! ts consp ired to cover up the shocking truth. Not even the families of the airmen were informed what had happened to their sons. It has remained a mystery--until now. Critics called James Bradley's last book "the best book on battle ever written." FLYBOYS is even better: more ambitious, more powerful, and more moving. On the island of Chichi Jima those young men would face the ultimate test. Their story--a tale of courage and daring, of war and of death, of men and of hope--will make you proud, and it will break your heart.

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