Color Changing Everlasting Tealights Candles with 7 Rainbow Colors- Set of 12

• Each Light is flame shaped and changes through seven different colors
• Set of 12 Candles
• Tealight candles are 2" tall and 1.5" diameter
• Flameless candles are safe to use around children, pets and decorations
• Long-lasting lithium battery is included

Swedish master Jan Troell (The Emigrants, The New Land) returns triumphantly with EVERLASTING MOMENTS, a vivid, heartrending story of a woman liberated through art at the beginning of the twentieth century. Though poor and abused by her alcoholic husband, Maria Larsson (Maria Heiskanen, in a beautifully nuanced portrayal) finds an outlet in photography, which opens up her world for the first time. With a burnished bronze tint that evokes faded photographs, and a broad empathetic palette, EVERLASTING MOMENTS--based on a true story--is a miraculous tribute to the power of image making.Fitting for a movie about a woman w! ho finds a new life through photography, Everlasting Moments features stunning images: A streetcar looming out of a wall of fog; the shadow of a zeppelin gliding across a courtyard; a family bouncing around a bedroom, all wearing Charlie Chaplin mustaches. This rich, emotionally powerful film begins in 1907 in a Swedish port, where Maria Larsson (Maria Heiskanen) struggles to raise her four children with little help from her boozing, womanizing husband Sigfrid (Mikael Persbrandt). By accident, she rediscovers a camera that she'd won in a lottery; through its lens she reinvents her confined, unhappy world as a place of warmth, hope, and spiritual transcendence--and begins a furtive, yearning romance with an older photographer who gives her supplies from his studio. Everlasting Moments covers decades of Maria's life, capturing not only her character but the character of the times in which she lived--an era of social unrest, world war, and personal upheaval. Yet despite this d! ense story, the movie feels relaxed and unfolds with the easy ! command of writer/director Jan Troell, whose films have won dozens of awards around the world, though he is little-known in the U.S. With any luck, Everlasting Moments will bring him some much-due recognition. --Bret FetzerSwedish master Jan Troell (The Emigrants, The New Land) returns triumphantly with EVERLASTING MOMENTS, a vivid, heartrending story of a woman liberated through art at the beginning of the twentieth century. Though poor and abused by her alcoholic husband, Maria Larsson (Maria Heiskanen, in a beautifully nuanced portrayal) finds an outlet in photography, which opens up her world for the first time. With a burnished bronze tint that evokes faded photographs, and a broad empathetic palette, EVERLASTING MOMENTS--based on a true story--is a miraculous tribute to the power of image making.Fitting for a movie about a woman who finds a new life through photography, Everlasting Moments features stunning images: A streetcar looming out of a wall of fog; the shadow of a zepp! elin gliding across a courtyard; a family bouncing around a bedroom, all wearing Charlie Chaplin mustaches. This rich, emotionally powerful film begins in 1907 in a Swedish port, where Maria Larsson (Maria Heiskanen) struggles to raise her four children with little help from her boozing, womanizing husband Sigfrid (Mikael Persbrandt). By accident, she rediscovers a camera that she'd won in a lottery; through its lens she reinvents her confined, unhappy world as a place of warmth, hope, and spiritual transcendence--and begins a furtive, yearning romance with an older photographer who gives her supplies from his studio. Everlasting Moments covers decades of Maria's life, capturing not only her character but the character of the times in which she lived--an era of social unrest, world war, and personal upheaval. Yet despite this dense story, the movie feels relaxed and unfolds with the easy command of writer/director Jan Troell, whose films have won dozens of awards around the! world, though he is little-known in the U.S. With any luck, E! verlasti ng Moments will bring him some much-due recognition. --Bret Fetzerblockbuster exclusiveUnited Kingdom released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: Swedish ( Dolby Digital 5.1 ), English ( Subtitles ), WIDESCREEN (1.85:1), SPECIAL FEATURES: Anamorphic Widescreen, Behind the scenes, Interactive Menu, Photo Gallery, Scene Access, Trailer(s), SYNOPSIS: In a series of remarkable events inspired by a true story, Maria Heiskanen stars as Maria Larsson, a Finnish mother and housewife who devotes all of her attention, care, and consideration to the well-being of her family -- but, like many homemakers, does so at the expense of her own identity and self-awareness. Not that her dockworker husband, Sigge (Mikael Persbrandt), particularly deserves such consideration; a brutish, alcoholic lout, his evenings consist of making life hell for Maria and their daughter with tyrannical, abu! sive behaviour. Then, as the dockworkers go on strike and the family's economic situation plummets, a ray of hope appears, in the form of a Contessa camera won in a local lottery. Unsurprisingly, Maria at first attempts to pawn it to reel in extra monies, but store owner Sebastian Pedersen convinces her otherwise; he teaches her how to use it, and she begins taking gorgeous, haunting photographs with the unaffected, instinctive perceptions of a young child. As the woman's self-discovery builds and her identity takes on form and definition, Sebastian unofficially takes her on as a protégée and quietly witnesses romantic feelings for her building inside of him. Meanwhile, Sigge's life falls to pieces when the authorities connect him with the catastrophic explosion of a British vessel. Maria's daughter, Maja (Callin Ohrvall), narrates. SCREENED/AWARDED AT: Golden Globes, ...Everlasting Moments ( Maria Larssons eviga ögonblick ) ( Die ewigen Augenblicke der Maria Larsson )En! joy the experience of the Fountain of Angels show again and ag! ain, fea turing music by members of the London Studio Orchestra and others. Twice daily, the Fountain of Angels erupts into life. In the center of its own 10-story theater, the multilayered fountain blasts water over 120 4-foot bronze statues of bare-bottomed cherubs, cheerful-looking fish and water-spouting ducks. As the music soars _ a recorded chorus of Christian music (example: "In the Garden") performed by members of the London Philharmonic _ the fountain bursts into a Vegas-style light and water show. In one, "The Everlasting Promise," a booming voice narrates tales of GenesisSet of twelve color changing flameless LED Tealights. Flame shaped light cycles through 7 colors. One click on/off switch and long-lasting lithium batteries yield over 120 hours of continuous use. Sized to fit in all votive applications or surrounded by decorations and designs. Perfect for wedding, parties and BBQ.

Read more »

Apocalypse Now (Apocalypse Now / Apocalypse Now Redux / Hearts of Darkness) (Three-Disc Full Disclosure Edition) [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Closed-captioned; Color; Dolby; DTS Surround Sound; Special Edition; Subtitled; Widescreen

Digitally remastered with 49 minutes of previously unseen footage, Apocalypse Now Redux is the reference standard of Francis Coppola's 1979 epic. A metaphorical hallucination of the Vietnam War, the film was reconstructed by Coppola and editor Walter Murch to enrich themes and clarify the ending. On that basis Redux is a qualified success, more coherent than the original while inviting the same accusations of directorial excess. The restored "French plantation" sequence adds ghostly resonance to the war's absurdity, and Willard's theft of Colonel Kurtz's beloved surfboard adds welcomed humor to the film's nightmarish upriver journey. An encounter with Playboy Playmates seems superfluous compared to the enhanced interplay between Willard ! and his ill-fated boat crew, but compensation arrives in the hellish Kurtz compound, where Willard's mission--and the performances of Martin Sheen and Marlon Brando--reach even greater heights of insanity, thus validating Redux as the rightful heir to Coppola's triumphantly rampant ambition. --Jeff Shannon APOCALYPSE NOW REDUX - DVD MovieApocalypse Now / Apocalypse Now: Redux
In the tradition of such obsessively driven directors as Erich von Stroheim and Werner Herzog, Francis Ford Coppola approached the production of Apocalypse Now as if it were his own epic mission into the heart of darkness. On location in the storm-ravaged Philippines, he quite literally went mad as the project threatened to devour him in a vortex of creative despair, but from this insanity came one of the greatest films ever made. It began as a John Milius screenplay, transposing Joseph Conrad's classic story "Heart of Darkness" into the horrors of the Vietnam Wa! r, following a battle-weary Captain Willard (Martin Sheen) on ! a secret upriver mission to find and execute the renegade Colonel Kurtz (Marlon Brando), who has reverted to a state of murderous and mystical insanity. The journey is fraught with danger involving wartime action on epic and intimate scales. One measure of the film's awesome visceral impact is the number of sequences, images, and lines of dialogue that have literally burned themselves into our cinematic consciousness, from the Wagnerian strike of helicopter gunships on a Vietnamese village to the brutal murder of stowaways on a peasant sampan and the unflinching fearlessness of the surfing warrior Lieutenant Colonel Kilgore (Robert Duvall), who speaks lovingly of "the smell of napalm in the morning." Like Herzog's Aguirre: The Wrath of God, this film is the product of genius cast into a pit of hell and emerging, phoenix-like, in triumph. Coppola's obsession (effectively detailed in the riveting documentary Hearts of Darkness, directed by Coppola's wife, Eleanor) informs every! scene and every frame, and the result is a film for the ages. --Jeff Shannon

Hearts of Darkness
Hearts of Darkness is an engrossing, unwavering look back at Francis Coppola's chaotic, catastrophe-plagued Vietnam production, Apocalypse Now. Filled with juicy gossip and a wonderful behind-the-scenes look at the stressful world of moviemaking, the documentary mixes on-location home movies shot in the Philippines by Eleanor Coppola, the director's wife, with revealing interviews with the cast and crew, shot 10 years later. Similar to Burden of Dreams, Les Blank's absorbing portrait of Werner Herzog's struggle to make Fitzcarraldo, the film chronicles Coppola's eventual decent into obsessive psychosis as everything that could go wrong does go wrong. Storms destroy sets, money evaporates, the Philippine government continually harasses the director, Coppola has romantic affairs, and he can't write the story's ending. Everything is c! aptured on film. In the most disturbing scene, we watch Martin! Sheen h ave a drunken nervous breakdown while his director goads him on (he eventually suffered a heart attack, but finished the film).

Other incredible footage is not visual, but aural as the film includes tapes Eleanor Coppola recorded without Francis's knowledge. In them, he truly sounds like a madman as he confesses his fears about making a bomb of a movie. But while Hearts of Darkness is an amazing, voyeuristic experience, its importance lies in the personal reflections offered by those involved. Sheen, Coppola, and Dennis Hopper speak frankly without embarrassment, offering us an essential piece of film history. --Dave McCoyFrancis Ford Coppola's timeless classic comes to Blu-ray for the first time!

This 3-Disc Deluxe Edition includes Apocalypse Now and Apocalypse Now Redux in stunning new transfers supervised by Francis Ford Coppola - and presented for the first time in their original 2.35:1 theatrical aspect ratios. Also included is the feature-length! making-of documentary Hearts of Darkness, presented in a new 1080p HD transfer.

Additional features include a 48-page collectible booklet with never-before-seen archives from the set, over 9 hours of bonus features, plus a storyboard gallery, image galleries, marketing archives and an original script excerpt from John Milius featuring hand-written notes from Coppola.Apocalypse Now / Apocalypse Now: Redux
In the tradition of such obsessively driven directors as Erich von Stroheim and Werner Herzog, Francis Ford Coppola approached the production of Apocalypse Now as if it were his own epic mission into the heart of darkness. On location in the storm-ravaged Philippines, he quite literally went mad as the project threatened to devour him in a vortex of creative despair, but from this insanity came one of the greatest films ever made. It began as a John Milius screenplay, transposing Joseph Conrad's classic story "Heart of Darkness" into the h! orrors of the Vietnam War, following a battle-weary Captain Wi! llard (M artin Sheen) on a secret upriver mission to find and execute the renegade Colonel Kurtz (Marlon Brando), who has reverted to a state of murderous and mystical insanity. The journey is fraught with danger involving wartime action on epic and intimate scales. One measure of the film's awesome visceral impact is the number of sequences, images, and lines of dialogue that have literally burned themselves into our cinematic consciousness, from the Wagnerian strike of helicopter gunships on a Vietnamese village to the brutal murder of stowaways on a peasant sampan and the unflinching fearlessness of the surfing warrior Lieutenant Colonel Kilgore (Robert Duvall), who speaks lovingly of "the smell of napalm in the morning." Like Herzog's Aguirre: The Wrath of God, this film is the product of genius cast into a pit of hell and emerging, phoenix-like, in triumph. Coppola's obsession (effectively detailed in the riveting documentary Hearts of Darkness, directed by Coppola's wife! , Eleanor) informs every scene and every frame, and the result is a film for the ages. --Jeff Shannon

Hearts of Darkness
Hearts of Darkness is an engrossing, unwavering look back at Francis Coppola's chaotic, catastrophe-plagued Vietnam production, Apocalypse Now. Filled with juicy gossip and a wonderful behind-the-scenes look at the stressful world of moviemaking, the documentary mixes on-location home movies shot in the Philippines by Eleanor Coppola, the director's wife, with revealing interviews with the cast and crew, shot 10 years later. Similar to Burden of Dreams, Les Blank's absorbing portrait of Werner Herzog's struggle to make Fitzcarraldo, the film chronicles Coppola's eventual decent into obsessive psychosis as everything that could go wrong does go wrong. Storms destroy sets, money evaporates, the Philippine government continually harasses the director, Coppola has romantic affairs, and he can't write the story's! ending. Everything is captured on film. In the most disturbin! g scene, we watch Martin Sheen have a drunken nervous breakdown while his director goads him on (he eventually suffered a heart attack, but finished the film).

Other incredible footage is not visual, but aural as the film includes tapes Eleanor Coppola recorded without Francis's knowledge. In them, he truly sounds like a madman as he confesses his fears about making a bomb of a movie. But while Hearts of Darkness is an amazing, voyeuristic experience, its importance lies in the personal reflections offered by those involved. Sheen, Coppola, and Dennis Hopper speak frankly without embarrassment, offering us an essential piece of film history. --Dave McCoy

Read more »

McFarlane Toys Beowulf Action Figure Grendel's Mother

• GRENDEL'S MOTHER BEOWULF
• Measures 7 inches at top of head; articulated at neck, shoulders (ball and hinge joints), elbows, wrists and waist. Stands on 4-inch wide by 3½-inch deep base.
• Originally released in 2007 - Retired / Out of Production
• From McFarlane Toys
• Ages 14+

BEOWULF & GRENDEL - DVD MovieThe otherworldly landscape of Iceland lends an appropriate touch of dark fantasy to this modern retelling of Beowulf, the oldest epic poem in the English language. Gerard Butler (The Phantom of the Opera) brings the right balance of physicality and world-weariness as the Swedish hero Beowulf, who travels to Denmark to fight the monstrous troll Grendel (Icelandic superstar Ignvar Sigurdsson), which has been plaguing the house of King Hrothgar (Stellan Skarsgård, buried under a mound of prosthetic hair). However, what transpires is not a battle between! good and evil, but a convoluted mystery of sorts, with Beowulf playing the detective who discovers that his foe is more human than monster, and Hrothgar less wronged innocent than catalyst for his own downfall. Director Sturla Gunnarsson succeeds in pulling this legendary story from the dust of academics by contemporizing the dialogue (Andrew Rai Berzins has an excellent ear for hard-bitten palaver), and his visuals are nothing less than striking, but the film attempts to be both monster movie and melancholy drama, while never quite satisfying the requirements of either genre. Regardless, the quality cast (which includes Sarah Polley from Dawn of the Dead as a sharp-tongued witch with a connection to Grendel) and some well-handled action sequences should hold viewers’ attention even when the unnecessarily complex plot does not. --Paul GaitaThe otherworldly landscape of Iceland lends an appropriate touch of dark fantasy to this modern retelling of Beowulf, t! he oldest epic poem in the English language. Gerard Butler (The Pha ntom of the Opera) brings the right balance of physicality and world-weariness as the Swedish hero Beowulf, who travels to Denmark to fight the monstrous troll Grendel (Icelandic superstar Ignvar Sigurdsson), which has been plaguing the house of King Hrothgar (Stellan Skarsgård, buried under a mound of prosthetic hair). However, what transpires is not a battle between good and evil, but a convoluted mystery of sorts, with Beowulf playing the detective who discovers that his foe is more human than monster, and Hrothgar less wronged innocent than catalyst for his own downfall. Director Sturla Gunnarsson succeeds in pulling this legendary story from the dust of academics by contemporizing the dialogue (Andrew Rai Berzins has an excellent ear for hard-bitten palaver), and his visuals are nothing less than striking, but the film attempts to be both monster movie and melancholy drama, while never quite satisfying the requirements of either genre. Regardless, the qualit! y cast (which includes Sarah Polley from Dawn of the Dead as a sharp-tongued witch with a connection to Grendel) and some well-handled action sequences should hold viewers' attention even when the unnecessarily complex plot does not. --Paul GaitaStudio: Starz/sphe Release Date: 11/06/2007 Run time: 103 minutes Rating: RThe otherworldly landscape of Iceland lends an appropriate touch of dark fantasy to this modern retelling of Beowulf, the oldest epic poem in the English language. Gerard Butler (The Phantom of the Opera) brings the right balance of physicality and world-weariness as the Swedish hero Beowulf, who travels to Denmark to fight the monstrous troll Grendel (Icelandic superstar Ignvar Sigurdsson), which has been plaguing the house of King Hrothgar (Stellan Skarsgård, buried under a mound of prosthetic hair). However, what transpires is not a battle between good and evil, but a convoluted mystery of sorts, with Beowulf playing ! the detective who discovers that his foe is more human than mo! nster, a nd Hrothgar less wronged innocent than catalyst for his own downfall. Director Sturla Gunnarsson succeeds in pulling this legendary story from the dust of academics by contemporizing the dialogue (Andrew Rai Berzins has an excellent ear for hard-bitten palaver), and his visuals are nothing less than striking, but the film attempts to be both monster movie and melancholy drama, while never quite satisfying the requirements of either genre. Regardless, the quality cast (which includes Sarah Polley from Dawn of the Dead as a sharp-tongued witch with a connection to Grendel) and some well-handled action sequences should hold viewers' attention even when the unnecessarily complex plot does not. --Paul GaitaIn the age of heroes comes the mightiest warrior of them all, Beowulf. After destroying the overpowering demon Grendel, he incurs the undying wrath of the beast’s ruthlessly seductive mother who will use any means possible to ensure revenge. The ensuing epic bat! tle throughout the ages, immortalizing the name Beowulf. Academy Award® winner director Robert Zemeckis tells the oldest epic tale in the English language with the most modern technology, advancing the cinematic forum through the magic of digitally enhanced live action. A stellar cast is led by Ray Winstone ("The Departed," "Sexy Beast") in the title role. Joining him are Academy Award winner Anthony Hopkins as the cursed King Hrothgar, John Malkovich, Robin Wright Penn, Brendan Gleeson, Crispin Glover, Alison Lohman and Oscar Winner Angelina Jolie as Grendel’s mother.Spectacular animated action scenes turn the ancient epic poem Beowulf into a modern fantasy movie, while motion-capture technology transforms plump actor Ray Winstone (Sexy Beast) into a burly Nordic warrior. When a Danish kingdom is threatened by the monster Grendel (voiced and physicalized by Crispin Glover, River's Edge), Beowulf--lured by the promise of heroic glory--comes to rescue! them. He succeeds, but falls prey to the seductive power of G! rendel's mother, played by Angelina Jolie... and as Jolie's pneumatically animated form rises from an underground lagoon with demon-claw high heels, it becomes clear that we're leaving the original epic far, far behind. Regrettably, the motion-capture process has made only modest improvements since The Polar Express; while the characters' eyes no longer look so flat and zombie-like, their faces remain inexpressive and movements are still wooden. As a result, the most effective sequences feature wildly animated battles and the most vivid character is Grendel, whose grotesqueness ends up making him far more sympathetic than any of the mannequin-like human beings. The meant-to-be-titillating images of a naked Jolie resemble an inflatable doll more than a living, breathing woman (or succubus, as the case may be). But the fights--particularly Grendel's initial assault on the celebration hut--pop with lushly animated gore and violence. Also featuring the CGI-muffled talents of Anth! ony Hopkins (Silence of the Lambs), Robin Wright Penn (The Princess Bride), and John Malkovich (Dangerous Liaisons). --Bret FetzerAdapted from the Anglo-Saxon epic poem, Beowulf, Beowulf & Grendel is a medieval adventure that tells the blood-soaked tale of a Norse warrior's battle against the great and murderous troll, Grendel.The otherworldly landscape of Iceland lends an appropriate touch of dark fantasy to this modern retelling of Beowulf, the oldest epic poem in the English language. Gerard Butler (The Phantom of the Opera) brings the right balance of physicality and world-weariness as the Swedish hero Beowulf, who travels to Denmark to fight the monstrous troll Grendel (Icelandic superstar Ignvar Sigurdsson), which has been plaguing the house of King Hrothgar (Stellan Skarsgård, buried under a mound of prosthetic hair). However, what transpires is not a battle between good and evil, but a convoluted mystery of sorts, wi! th Beowulf playing the detective who discovers that his foe is! more hu man than monster, and Hrothgar less wronged innocent than catalyst for his own downfall. Director Sturla Gunnarsson succeeds in pulling this legendary story from the dust of academics by contemporizing the dialogue (Andrew Rai Berzins has an excellent ear for hard-bitten palaver), and his visuals are nothing less than striking, but the film attempts to be both monster movie and melancholy drama, while never quite satisfying the requirements of either genre. Regardless, the quality cast (which includes Sarah Polley from Dawn of the Dead as a sharp-tongued witch with a connection to Grendel) and some well-handled action sequences should hold viewers' attention even when the unnecessarily complex plot does not. --Paul GaitaJohn Grigsby reveals that the English had a mythology and a vibrant pagan religion as rich and complex as that of the early Celts, of which only a few precious fragments remain. One such fragment is a Dark Age poem that tells of the deeds of a m! onster-slaying hero Beowulf, who frees the feasting hall of a Danish king from the twelve-year tyranny of a creature named Grendel. Grigsby's conclusions will revolutionize the way we think about the ancestors of the English. He explains how they came to England from Denmark and Northern Germany and how human sacrifice was central to their religion. He shows how the memory of the forceful suppression of this sacrificial cult in the 5th century AD lies behind the seemingly fantastic deeds of Beowulf. His discovery will restore the poem to its rightful place as a national epic.In the age of heroes comes the mightiest warrior of them all, Beowulf. After destroying the overpowering demon Grendel, he incurs the undying wrath of the beast’s ruthlessly seductive mother who will use any means possible to ensure revenge. The ensuing epic battle throughout the ages, immortalizing the name Beowulf. Academy Award® winner director Robert Zemeckis tells the oldest epic tale in the Eng! lish language with the most modern technology, advancing the c! inematic forum through the magic of digitally enhanced live action. A stellar cast is led by Ray Winstone ("The Departed," "Sexy Beast") in the title role. Joining him are Academy Award winner Anthony Hopkins as the cursed King Hrothgar, John Malkovich, Robin Wright Penn, Brendan Gleeson, Crispin Glover, Alison Lohman and Oscar Winner Angelina Jolie as Grendel’s mother.Spectacular animated action scenes turn the ancient epic poem Beowulf into a modern fantasy movie, while motion-capture technology transforms plump actor Ray Winstone (Sexy Beast) into a burly Nordic warrior. When a Danish kingdom is threatened by the monster Grendel (voiced and physicalized by Crispin Glover, River's Edge), Beowulf--lured by the promise of heroic glory--comes to rescue them. He succeeds, but falls prey to the seductive power of Grendel's mother, played by Angelina Jolie... and as Jolie's pneumatically animated form rises from an underground lagoon with demon-claw high heels, it! becomes clear that we're leaving the original epic far, far behind. Regrettably, the motion-capture process has made only modest improvements since The Polar Express; while the characters' eyes no longer look so flat and zombie-like, their faces remain inexpressive and movements are still wooden. As a result, the most effective sequences feature wildly animated battles and the most vivid character is Grendel, whose grotesqueness ends up making him far more sympathetic than any of the mannequin-like human beings. The meant-to-be-titillating images of a naked Jolie resemble an inflatable doll more than a living, breathing woman (or succubus, as the case may be). But the fights--particularly Grendel's initial assault on the celebration hut--pop with lushly animated gore and violence. Also featuring the CGI-muffled talents of Anthony Hopkins (Silence of the Lambs), Robin Wright Penn (The Princess Bride), and John Malkovich (Dangerous Liaisons). -! -Bret FetzerIntroduction gives a short history of the Old ! English language.

The classic tale of courage and honor. In the Great Hall of Hrothgar, King of the Danes, the warrior Beowulf, son of a Swedish King, wages battle with the monster Grendel.

Introduction gives a short history of the Old English language.

The classic tale of courage and honor. In the Great Hall of Hrothgar, King of the Danes, the warrior Beowulf, son of a Swedish King, wages battle with the monster Grendel.

Based on the legendary 8th century epic poem, Beowulf follows the triumphs and trials of the legendary Norse warrior as he battles mythical beasts, including the monstrous Grendel. GRENDEL'S MOTHER BEOWULF - Measures 7 inches at top of head; articulated at neck, shoulders (ball and hinge joints), elbows, wrists and waist. Stands on 4-inch wide by 3½-inch deep base.

Read more »

Canterbury Of New Zealand Men's Zuni Half Button Sweater, Dark Navy, Medium

• Long Sleeve Lambswool sweater with unique elbow patch details
• Half zipper and button closure
• Cable knit detailing on side seams

The Autumn/Winter 2011 collection draws inspiration from vintage climbers, men who conquered mountains, It's a collection of rugged new classics, Washed and nuetral colors are punctuated by technical brights, The silohouettes are easy and comfortable without getting in your way, Details make subtle reference to climbing heirlooms, leather reinforcements, vintage plaids, corded trim, and hard-wearing broken twill fabrics, Canterbury of New Zealand clothing is designed to be timeless, garments that will surprise you with hidden details everytime you put them on, a wardrobe you will continue to fall in love with over time

Read more »

Eight Below [Blu-ray]

• EIGHT BELOW (BLU-RAY DISC)

On what should be a routine rescue mission during World War II, the submarine USS Tiger Shark picks up three survivors of a U-boat attack. But for the crew -- trapped together in the sub's narrow corridors and constricted spaces -- the unexpected visitors seem to spark a series of chilling, otherworldly occurrences! Starring Hollywood favorites Olivia Williams (THE SIXTH SENSE, THE POSTMAN), Bruce Greenwood (THIRTEEN DAYS, DOUBLE JEAPOARD), and Matt Davis (LEGALLY BLONDE, BLUE CRUSH).Inspired by the vintage thrillers of Val Lewton and Jacques Tourneur, Below is a superbly crafted spookfest primed for cult-favorite status. As he did with The Arrival and Pitch Black, director David Twohy revitalizes a B-movie staple--in this case, the World War II submarine thriller--by turning it into a nerve-wracking funhouse of smoke and mirrors, where chilli! ng visions tease the brain and stir paranoia among a close-knit group of terrified characters. When a U.S. sub takes on three survivors from a sinking British ship, its captain (Bruce Greenwood) uncovers secrets while concealing his own. As the sub's recent history unfolds, its crew is increasingly haunted by ghostly images, fleeting and subliminal, while the threat of German attack looms ominously overhead. More of a mood piece than a truly satisfying thriller, Below favors tense atmosphere over cohesive plotting, but it's so visually captivating, and so tautly acted by a fine ensemble cast, that its narrative flaws are easily forgiven. --Jeff ShannonOn what was supposed to be a routine rescue mission during World War II, the submarine USS Tiger Shark picks up three survivors of a U-boat attack. But the crew begins to noticeâ€"while trapped together in the sub's narrow corridors and constricted spacesâ€"that the visitors seem to spark a series of chilling, ot! herworldly occurrences. Starring Hollywood favorites Olivia! William s (TV's Dollhouse), Zach Galifianakis (The Hangover Part II), Jason Flemyng (Clash of the Titans), Bruce Greenwood (Barney's Version) and Matthew Davis (TV's The Vampire Diaries).Inspired by the vintage thrillers of Val Lewton and Jacques Tourneur, Below is a superbly crafted spookfest primed for cult-favorite status. As he did with The Arrival and Pitch Black, director David Twohy revitalizes a B-movie staple--in this case, the World War II submarine thriller--by turning it into a nerve-wracking funhouse of smoke and mirrors, where chilling visions tease the brain and stir paranoia among a close-knit group of terrified characters. When a U.S. sub takes on three survivors from a sinking British ship, its captain (Bruce Greenwood) uncovers secrets while concealing his own. As the sub's recent history unfolds, its crew is increasingly haunted by ghostly images, fleeting and subliminal, whil! e the threat of German attack looms ominously overhead. More of a mood piece than a truly satisfying thriller, Below favors tense atmosphere over cohesive plotting, but it's so visually captivating, and so tautly acted by a fine ensemble cast, that its narrative flaws are easily forgiven. --Jeff ShannonThree quarters of her crew are deep sea miners, geneoids, humans designed with aquatic traits that have created creatures of such beauty that Victoria can’t help but be drawn to them, particularly the merman, Raphael. When he claims her as his companion, he places her in an untenable position, but Victoria quickly discovers that the rules set down by the company that has betrayed them all are of no concern to her when it comes to Raphael, and that she is just as determined to have him as the company is to part them forever.


The Romance Studio
Reviewed by Sara Sawyer
Overall Rating: 5 Hearts!

Ms. O'Connor weaves a marvelou! s futuristic and thrilling book. This novel captures your atte! ntion fr om the first page as each character imbeds themselves into your psyche. Raphael is a genetic experiment that understands that most of the "pure" humans rank him somewhere below themselves, yet above fish. While he does understand this, he does not accept it. Raphael is a strong, beautiful and supremely complex man and a perfect counterpart to Victoria's rule-abiding, open minded self. Together the main characters make the story come alive. The threats, the insecurities, the mystery that surrounds Kay and its blood-colored water is enthralling and well worth the journey.


Three quarters of her crew are deep sea miners, geneoids, humans designed with aquatic traits that have created creatures of such beauty that Victoria can’t help but be drawn to them, particularly the merman, Raphael. When he claims her as his companion, he places her in an untenable position, but Victoria quickly discovers that the rules set down by the company that has betrayed them all ! are of no concern to her when it comes to Raphael, and that she is just as determined to have him as the company is to part them forever.


The Romance Studio
Reviewed by Sara Sawyer
Overall Rating: 5 Hearts!

Ms. O'Connor weaves a marvelous futuristic and thrilling book. This novel captures your attention from the first page as each character imbeds themselves into your psyche. Raphael is a genetic experiment that understands that most of the "pure" humans rank him somewhere below themselves, yet above fish. While he does understand this, he does not accept it. Raphael is a strong, beautiful and supremely complex man and a perfect counterpart to Victoria's rule-abiding, open minded self. Together the main characters make the story come alive. The threats, the insecurities, the mystery that surrounds Kay and its blood-colored water is enthralling and well worth the journey.


It's Mitchum vs. Jurgens as the commanders of an American destroyer! and a German U-boat play a deadly game of cat and mouse.In The Ene my Below Robert Mitchum and Curt Jurgens are respectively captains of a U.S. destroyer and a German U-boat whose vessels come into conflict in the South Atlantic. Both are good men with a job to do, the script noting Jurgens' distaste for Hitler and the Nazis and engaging our sympathy with the German sailors almost as much as the Americans. Made at the height of the cold war of the 1950s, the film delivers a liberal message of co-operation wrapped inside some spectacular action scenes and a story which builds to a tense and exciting, moving finale. --Gary S. Dalkin

A boy and his action figure explore a secret world below the stairs

Jack and his action figure, Guy, have many adventures together, and the tall, narrow staircase in Jack's house provides the perfect setting. Jack and Guy climb mountains, visit cities, and explore forests. But one day Guy falls down a hole in the stairs and it's up to Jack to rescue him. What is going on below the sta! irs--only Guy knows.

Publishers Weekly has described Nina Crews as "highly skilled at seeing through her photographic lens with the eyes of a child." Here she captures the excitement of make-believe and celebrates a child's imagination and resourcefulness in her signature style.

The unforgiving terrain of Antarctica comes to life through the wonder of Blu-ray Disc technology in this amazing tale of courage and loyalty. Eight incredible dogs, left behind when their research team is forced to flee, band together to survive the subzero elements that blister the screen in eye-popping 1080p. The astonishing sound quality of the 5.1 48 kHz, 16-bit uncompressed audio will have you practically feeling the wind chill factor as guide Jerry (Paul Walker) races against time to save his four-legged friends. Experience this heart-pounding adventure like never before through the magic of Blu-ray high definition.Despite a likable cast of humans, it's the! canine stars who steal the show in Eight Below, a terr! ific liv e-action adventure in the time-honored Disney tradition. Based on a true story that was previously filmed (much differently) as the 1983 Japanese hit Antarctica, this above-average family film takes place in 1993 and focuses on a dog-sled guide at an Antarctic research station (Paul Walker) who is forced by a severe storm to abandon eight beloved sled dogs for the duration of a harsh Antarctic winter. Left to fend for themselves, the rugged and resourceful dogs encounter danger at every turn, surviving for nearly six months while Walker and his closest colleagues (engagingly played by Bruce Greenwood, Moon Bloodgood, and American Pie's Jason Biggs) join forces to mount a daring rescue mission. Having endured similarly extreme conditions on his 1993 film Alive, director Frank Marshall brings an abundance of natural splendor (and minimum use of digital wizardry) to spectacularly arctic locations in Norway, Greenland and Canada, and Walker (star of The F! ast and the Furious) lends an amiable sincerity to his compassionate role. For most viewers, however, it's the remarkable dogs (six Siberian huskies and two malamutes) who make Eight Below so thoroughly entertaining. It's not quite an instant family classic, but it comes pretty doggone close. --Jeff Shannon

Read more »

Fled : Widescreen Edition

• Widescreen

Two dangerously mismatched convicts are thrown into a wild race to outwit, outrun and outgun vicious enemies on both sides of the law in this high-impact thriller bristling with high-speed adventure,mind-blowing stunts and nonstop action! After escaping from a prison chain gang, Piper (Laurence Fishburne) and Dodge (Stephen Baldwin) find themselves handcuffed togetherand at each others' throats! Relentlessly hunted through the Georgia wilderness, the reluctant allies fight their way into the underground of Atlanta, battling the authoritiesand each otherall the way. But when Dodge'sconnection to $25 million in stolen loot attracts mob assassins and corrupt government officials, the action is propelled into a deadly new dimension. With no place to hide, and everything to lose, Piper and Dodge embark on a blazing, take-no-prisoners quest to secure the key to their survival: a compute! r disk that could blow the lid off of a high-level scam.In the road-movie-reluctant-pals genre, Fled goes down a road well-taken and still manages to get lost. Defiant ones Piper (Laurence Fishburne) and Dodge (Stephen Baldwin) escape from their chain gang when a prison break/shootout begins. Evading rednecks and faceless policemen they make it to Atlanta where "smart-ass" Dodge (who delivers one-liners that do a disservice to smart-asses everywhere) has to recover a computer disk. They are aided and abetted by Cora (Salma Hayek--this time using a funny hat, instead of her breasts, for character development), who takes the convicts in as if she were picking up college buddies from the airport. Maybe she realizes what great guys these prison-garbed buffoons are. They donate money to charity. They save dying rednecks. They rescue little boys from oncoming cars. Unfortunately, they can't save any of Dodge's old associates, like his stripper-with-an-apartment-of-gold gir! lfriend or his fellow computer hacker, from getting shot up by! Cuban M afia thugs that want that disk! Laurence Fishburne is the main reason to see the film, but that's a stretch, and Stephen Baldwin seems nothing like the same searing actor seen in The Usual Suspects. --Keith Simanton In the road-movie-reluctant-pals genre, Fled goes down a road well-taken and still manages to get lost. Defiant ones Piper (Laurence Fishburne) and Dodge (Stephen Baldwin) escape from their chain gang when a prison break/shootout begins. Evading rednecks and faceless policemen they make it to Atlanta where "smart-ass" Dodge (who delivers one-liners that do a disservice to smart-asses everywhere) has to recover a computer disk. They are aided and abetted by Cora (Salma Hayek--this time using a funny hat, instead of her breasts, for character development), who takes the convicts in as if she were picking up college buddies from the airport. Maybe she realizes what great guys these prison-garbed buffoons are. They donate money to charity.! They save dying rednecks. They rescue little boys from oncoming cars. Unfortunately, they can't save any of Dodge's old associates, like his stripper-with-an-apartment-of-gold girlfriend or his fellow computer hacker, from getting shot up by Cuban Mafia thugs that want that disk! Laurence Fishburne is the main reason to see the film, but that's a stretch, and Stephen Baldwin seems nothing like the same searing actor seen in The Usual Suspects. --Keith Simanton DVD

Read more »