Saturday, November 5, 2011

Wallmonkeys Peel and Stick Wall Decals - Cape of Good Hope, Kap Der Guten Hoffnung - 36"W x 20"H Removable Graphic

  • ALL orders CUSTOM printed. When you place an order, the image is made in the USA, just for you!
  • Printed on WHITE, premium, self-adhesive, re-positionable fabric paper.
  • No nails, frames or glue. No professional installation required.
  • Simply peel and stick! Easy to remove and re-apply.
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CAPE OF GOOD HOPE is a colorful and vibrant mosaic of love and hope. As upbeat and heartwarming as the blockbuster hit LOVE ACTUALLY, this film beautifully connects a number of storylines, all revolving around a Cape Town animal rescue shelter. Its founder, Kate, who seems to relate better to dogs than to people, is involved with a married man, blinding her to the romantic interest of a kind veterinarian. Her receptionist, Sharifa, desperately wants to have a child and is taking extraordinary steps to do so. Meanwhile, Jean ! Claude, the shelter’s handyman, finds himself torn between his love for a single mother and his desire to immigrate to Canada.

Filmed entirely on location in the Cape Town coastal community of Hout Bay, CAPE OF GOOD HOPE is populated with likable characters you come to care about â€" ordinary people who want to improve their lives. As unexpected plot twists demonstrate, this is possible only by taking a chance. An original romantic comedy, CAPE OF GOOD HOPE will win you over and lift your spirits.

Watch the trailer: http://www.capemovie.comThe first slave reached the Cape in 1653, a year after the first white settler party under Jan van Riebeeck. Thousands more would follow.

Slavery was to remain an institution here until the end of the Dutch period in 1795, and well beyond, for it was not until 1834, under British administration, that Cape slaves were finally emancipated. In Early Slavery at the Cape of Good Hope, Karel Schoeman describes the tra! nsplanting of slavery from the Dutch colonies in the East and ! the firs t sixty years of its development under local conditions, basing his account mainly on contemporary sources and providing as much information on individual slaves and their lives as these allow. Attention is likewise given to the gradual manumission of slaves and the slow development of a 'free black' community at the Cape towards the close of the seventeenth century.Cape of Good Hope is an uplifting collection of engaging melodies and lush arrangements of piano-featured instrumentals. Features guest artist appearances by David Sanborn, Stephen Bishop, Dan Fogelberg, Chris Botti, Richard Elliot and many others. This is the follow-up to Jim's debut album, "Northern Seascape".WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally s! ee and feel the difference. Our wall graphics apply in minutes and won't damage your paint or leave any mess. PLEASE double check the size of the image you are ordering prior to clicking the 'ADD TO CART' button. Our graphics are offered in a variety of sizes and prices.

  • WallMonkeys are intended for indoor use only.
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  • Room for a Little One: A Christmas Tale

    • ISBN13: 9781416925187
    • Condition: New
    • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
    The amazing, talking Bluebear Brother. It was the gift every child wanted - including Benjamin's own daughter. But when the bear was broken right out of the box, there were more tears than smiles Christmas morning. Still, for some strange reason Benjamin couldn't bring himself to return it . . . and then something magical began to happen.

    K.C. SCOTT, who lives in Oregon with an assortment of critters, both human and otherwise, is the author of DOG FOOD AND DIAMONDS.The amazing, talking Bluebear Brother. It was the gift every child wanted - including Benjamin's own daughter. But when the bear was broken right out of the box, there were more tears than smiles Christmas morning. Still, for some! strange reason Benjamin couldn't bring himself to return it . . . and then something magical began to happen.

    K.C. SCOTT, who lives in Oregon with an assortment of critters, both human and otherwise, is the author of DOG FOOD AND DIAMONDS.That cold winter's night,

    beneath the star's light...

    ...a Little One came for the world.

    Old Bear and His Cub

    • ISBN13: 9780399245077
    • Condition: New
    • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
    Pedro (Jos Luis Garca-Prez) is an attractive and homosexual dentist who lives a sexually active lifestyle. He offers to take care of his nine-year-old nephew Bernardo (David Castillo) for two weeks while the child's mother, Pedro's older sister Violeta (Elvira Lindo), goes off to India with her latest "hippie" boyfriend. Pedro modifies his sexual behavior but quickly finds out that Bernardo is extremely comfortable and mature in his attitude towards life. When Violeta suddenly becomes detained in India, Pedro finds himself the boy's caretaker and must face the challenges of raising a child.An amusing and touching film about reinterpreting the idea of "family," Bear Cub tells the engaging story of Pedro! (José Luis García-Pérez), an attractive gay dentist living an active single life in Madrid. He offers to take care of his adorable 9-year-old nephew Bernardo (the remarkable David Castillo) for two weeks while the child's mother travels abroad with her latest "hippie" boyfriend. When Mom suddenly becomes detained in India, however, Pedro must become the boy's caretaker. And to further complicate matters, the boy's grandmother begins a custody battle for the child. Never overly sentimental or sensational, director Miguel Albaladejo (Manolito Four-Eyes) has crafted a funny and charming audience pleaser that inspired the Chicago Tribune to proclaim the film "striking and refreshing."Old Bear loves Little Cub with all his heart. He makes sure that Little Cub eats all his porridge, takes a nap during their snowy walk, and wraps his red scarf tightly around his ears. Little Cub doesn't want to be told what to do, but he always listens to Old Bear because he knows that Old Bea! r loves him so. But when Old Bear catches a cold, it's Little ! Cub who knows just what to do to make Old Bear feel better. This winning story shows just how much Old Bears and Little Cubs love one another-with all their hearts.

    From the creator of the Gossie and Gertie books comes a playful and charming twist on the relationship between children and the adults who care for them.Amazon Best Books of the Month, November 2010: Beautiful wintery illustrations are the perfect background for Old Bear and His Cub. Old Bear and Little Cub love each other with all of their hearts, and their day together revolves around Old Bear ensuring that Little Cub does things that will keep him safe and healthy, like eating his porridge and staying off the rocks. Children will relate to Little Cub’s attempts at independence, while parents will appreciate that Little Cub accepts Old Bear’s authority simply because Old Bear loves him so. The tables are turned when Old Bear catches a cold and it's Little Cub who knows what's best! --blackberry tea and books read aloud all through the night. Simple and charming, Old Bear and His Cub is a heart-warming reminder of the joys of caring for one another. --Seira Wilson

    A Look Inside Old Bear and His Cub
    (Click on Images to Enlarge)

    !
    One day...

    eggs...

    The more I read...

    I looked...


    American History X

    • Edward Norton's Academy Award nominated role as a White Supremist who sees the error of his ways while jailed for murder. Unfortunately, he leaves prison to find his brother (Edward Furlong) heading down the same path.Running Time: 119 min. System Requirements: Directed by Tony Kaye Writing credits David McKenna Cast overview, first billed only: Edward Norton, Edward Furlong, Beverly D Angelo,
    Edward Norton's Academy Award nominated role as a White Supremist who sees the error of his ways while jailed for murder. Unfortunately, he leaves prison to find his brother (Edward Furlong) heading down the same path.

    DVD Features:
    Biographies
    Deleted Scenes
    Filmographies
    Interactive Menus
    Production Notes
    Scene Access
    Theatrical Trailer

    Perhaps the highest compliment you can pay to Edward Norton is that his Oscar-nom! inated performance in American History X nearly convinces you that there is a shred of logic in the tenets of white supremacy. If that statement doesn't horrify you, it should; Norton is so fully immersed in his role as a neo-Nazi skinhead that his character's eloquent defense of racism is disturbingly persuasive--at least on the surface. Looking lean and mean with a swastika tattoo and a mind full of hate, Derek Vinyard (Norton) has inherited racism from his father, and that learning has been intensified through his service to Cameron (Stacy Keach), a grown-up thug playing tyrant and teacher to a growing band of disenfranchised teens from Venice Beach, California, all hungry for an ideology that fuels their brooding alienation.

    The film's basic message--that hate is learned and can be unlearned--is expressed through Derek's kid brother, Danny (Edward Furlong), whose sibling hero-worship increases after Derek is imprisoned (or, in Danny's mind, martyred) for the! killing of two black men. Lacking Derek's gift of rebel rheto! ric, Dan ny is easily swayed into the violent, hateful lifestyle that Derek disowns during his thoughtful time in prison. Once released, Derek struggles to save his brother from a violent fate, and American History X partially suffers from a mix of intense emotions, awkward sentiment, and predictably inevitable plotting. And yet British director Tony Kaye (who would later protest against Norton's creative intervention during post-production) manages to juggle these qualities--and a compelling clash of visual styles--to considerable effect. No matter how strained their collaboration may have been, both Kaye and Norton can be proud to have created a film that addresses the issue of racism with dramatically forceful impact. --Jeff Shannon

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