Monday, November 7, 2011

Mommy & Me Shopping Cart - Kids Pretend Play By Toys To Discover

  • Mattel shopping cart with swiveling wheels
  • fits a doll in the front
  • safety tested / led free
  • black and red
  • very easy 1 min. assembly
When fallen pop diva angelas husband sol discovers that shes having an affair with failed actor tony angela calculatedly offs him with a poisoned suppository or does she? what follows is a hilarious mix of whodunits & double crossings involving the maid the vampy daughter & the boy toy son. Studio: Arts Alliance America Release Date: 02/26/2008 Run time: 90 minutes Rating: R"You slipped into my life as easily as vermouth into a glass of gin," purrs reclusive singing star Angela Arden, as played by camp icon Charles Busch (Psycho Beach Party). Arden is not only haunted by a secret, she's treated like dirt by her louse of a husband (Phillip Baker Hall, Boogie Nights), her snoopy maid (Frances Conroy, Six Feet! Under), and her petulant daughter (Natasha Lyonne, Slums of Beverly Hills). Only her mentally defective son (Stark Sands) and a well-endowed gigolo (Jason Priestley, Beverly Hills 90210) treat her with love and affection. Is it any wonder she takes drastic action to improve her life? Replete with lurid sex, incestuous overtones, a poisoned suppository, musical numbers, an acid freakout, and black-and-white flashbacks, Die Mommie Die! lovingly sends up movie soap operas. The tone is uneven, but Busch skillfully walks a razor-sharp line throughout. --Bret FetzerYou slipped into my life as easily as vermouth into a glass of gin, purrs reclusive singing star Angela Arden, as played by camp icon Charles Busch ("Psycho Beach Party"). Arden is not only haunted by a secret, she's treated like dirt by her louse of a husband (Phillip Baker Hall, "Boogie Nights"), her snoopy maid (Frances Conroy, "Six Feet Under"), and her petulant daughte! r (Natasha Lyonne, "Slums of Beverly Hills"). Only her mental! ly defec tive son (Stark Sands) and a well-endowed gigolo (Jason Priestley, "Beverly Hills 90210") treat her with love and affection. Is it any wonder she takes drastic action to improve her life? Replete with lurid sex, incestuous overtones, a poisoned suppository, musical numbers, an acid freakout, and black-and-white flashbacks, "Die Mommie Die!" lovingly sends up movie soap operas. The tone is uneven, but Busch skillfully walks a razor-sharp line throughout. "--Bret Fetzer""You slipped into my life as easily as vermouth into a glass of gin," purrs reclusive singing star Angela Arden, as played by camp icon Charles Busch (Psycho Beach Party). Arden is not only haunted by a secret, she's treated like dirt by her louse of a husband (Phillip Baker Hall, Boogie Nights), her snoopy maid (Frances Conroy, Six Feet Under), and her petulant daughter (Natasha Lyonne, Slums of Beverly Hills). Only her mentally defective son (Stark Sands) and a well-en! dowed gigolo (Jason Priestley, Beverly Hills 90210) treat her with love and affection. Is it any wonder she takes drastic action to improve her life? Replete with lurid sex, incestuous overtones, a poisoned suppository, musical numbers, an acid freakout, and black-and-white flashbacks, Die Mommie Die! lovingly sends up movie soap operas. The tone is uneven, but Busch skillfully walks a razor-sharp line throughout. --Bret FetzerFirst, he bound and beat his girlfriend, a 43-year-old librarian. Then he went after her teenaged daughter - warning her, 'Scream and I will kill you both' - before knocking her unconscious. When the teenager awoke, he proceeded to rape her. And in a final horrifying act of depravity, he forced the girl to watch as he slit her mother's throat. But the killing didn't stop there...Stephen Stanko was described as 'a perfect gentleman' who 'seemed so pleasant...and so normal.' But behind Stanko's mild-mannered appearance, round ! spectacles, and quiet intelligence was a coldblooded ex-convic! t who ke pt a grisly scrapbook on serial killers - and convinced everyone he was a nice guy - until he killed and killed again. A well-orchestrated manhunt caught up with Stanko, who tried to get away with his crimes by pleading insanity. But the jury saw through his ruse and the ruthless killer was sentenced to death.In The Hands Of A Sadist. . .

First, he bound and beat his girlfriend, a 43-year-old librarian. Then he went after her teenaged daughter--warning her, "Scream and I will kill you both"--before knocking her unconscious. When the teenager awoke, he proceded to rape her. And in a final horrifying act of depravity, he forced the girl to watch as he slit her mother's throat. But the killing didn't stop there. . .

In The Crosshairs Of A Killer. . .

Stephen Stanko was described as "a perfect gentleman" who "seemed so pleasant. . .and so normal." But behind Stanko's mild-mannered appearance, round spectacles, and quiet intelligence was a coldblooded ex-conv! ict who kept a grisly scrapbook on serial killers--and convinced everyone he was a nice guy--until he killed and killed again.

On The Trail Of A Psycho. . .

A well-orchestrated manhunt caught up with Stanko, who tried to get away with his crimes by pleading insanity. But the jury saw through his ruse and the ruthless killer was sentenced to death.

Case Seen On 48 Hours

Includes 16 Pages of Shocking PhotosIn The Hands Of A Sadist. . .

First, he bound and beat his girlfriend, a 43-year-old librarian. Then he went after her teenaged daughter--warning her, "Scream and I will kill you both"--before knocking her unconscious. When the teenager awoke, he proceded to rape her. And in a final horrifying act of depravity, he forced the girl to watch as he slit her mother's throat. But the killing didn't stop there. . .

In The Crosshairs Of A Killer. . .

Stephen Stanko was described as "a perfect gentleman" who "seemed so pleasant. . ! .and so normal." But behind Stanko's mild-mannered appearance,! round s pectacles, and quiet intelligence was a coldblooded ex-convict who kept a grisly scrapbook on serial killers--and convinced everyone he was a nice guy--until he killed and killed again.

On The Trail Of A Psycho. . .

A well-orchestrated manhunt caught up with Stanko, who tried to get away with his crimes by pleading insanity. But the jury saw through his ruse and the ruthless killer was sentenced to death.

Case Seen On 48 Hours

Includes 16 Pages of Shocking PhotosJust like when mommy goes to the supermarket! This little cart is the perfect for the pretend little mommy!

Harold & Kumar Go to White Castle (Extreme Unrated Edition)

  • HAROLD & KUMAR GO TO WHITE CASTLE UNRAT (DVD MOVIE)
In the year's funniest comedy, two guys on a quest to satisfy their cravings for burgers find themselves on a hilarious all-night adventure as they run into one screwy obstacle after another.

DVD Features:
Audio Commentary
DVD ROM Features
Deleted Scenes
Featurette
Interviews
Music Video
Other:Spansh Subtitles!

From the director of Dude, Where's My Car? comes another crazed tale of two friends on a perilous quest--in this case, to eat burgers at the fast food restaurant White Castle. The pair--repressed Harold (John Cho, Better Luck Tomorrow) and freewheeling Kumar (Kal Penn, Love Don't Cost a Thing)--get extremely high and set off on the road, only to be sidetracked by skateboarding hooligans, racist cops, an inbred tow truck driver, ! and Neil Patrick Harris--yes, Doogie Howser, M.D. The humor is all over the map, and it would be nice if there were one female character who wasn't a caricature, but Harold and Kumar Go to White Castle has a loose, gregarious charm, and the movie's canniness about the cliches of the buddy-movie genre give it a sneaky subversive feel--just the fact that neither of the heroes is white puts a different spin on just about every circumstance. Surprisingly clever, cheerfully stupid. --Bret Fetzer

Gray Matter

  • From highly acclaimed filmmaker Joe Berlinger (Brother's Keeper, Paradise Lost 1 & 2, Metallica: Some Kind of Monster)--one of the leading voices in American independent non-fiction cinema-comes Gray Matter, a riveting true-life mystery and perhaps the most baffling conspiracy story ever told about World War II. In the spring of 2002, Berlinger traveled to Vienna to witness the burial of the p
In this hilarious romantic comedy, Gray (Heather Graham) helps her brother (Tom Cavanaugh) find the love of his life. But the night before her brother's wedding, Gray's world is turned upside-down when she discovers that she has feelings for his fiancé (Bridget Moynahan)! With the help of a sarcastic co-worker (Molly Shannon), a sympathetic cab driver (Alan Cumming), and her therapist (Oscar-winner Sissy Spacek), Gray is forced to figure out who she really is.Gray Matters has one of the most ado! rable casts of any movie in recent years--the combined sweetness of Heather Graham (Austin Powers: The Spy Who Shagged Me), Bridget Moynahan (Lord of War), Molly Shannon (Year of the Dog), Thomas Cavanagh (Ed), Alan Cumming (X-Men 2), and Sissy Spacek (Carrie, In the Bedroom) narrowly avoids being diabetes-inducing. Gray (Graham) and her brother Sam (Cavanagh) have been best friends forever--so close that they find it hard to date. Gray pushes Sam into asking out Charlie (Moynahan), but when Sam and Charlie hit it off so well they spontaneously decide to get married, Gray finds herself unexpectedly dismayed... but not as dismayed as she is when, on a girls' night out before the ceremony, she and Charlie share a drunken kiss that sets Gray's body tingling. Gray Matters juggles a lot of emotional issues; the sibling interconnectedness problem doesn't flow smoothly into the coming-out story of the movie's second half. Bu! t sprinkled throughout are charming scenes and wonderfully def! t moment s that make the story's clumsy missteps all the more baffling. There's no question that Graham is a star who just can't seem to find the right vehicle; Gray Matters won't be her breakthrough, but it's further evidence of her significant appeal. --Bret FetzerFrom highly acclaimed filmmaker Joe Berlinger (Brother's Keeper, Paradise Lost 1 & 2, Metallica: Some Kind of Monster)--one of the leading voices in American independent non-fiction cinema-comes Gray Matter, a riveting true-life mystery and perhaps the most baffling conspiracy story ever told about World War II. In the spring of 2002, Berlinger traveled to Vienna to witness the burial of the preserved brains from over 700 children who were experimented upon in a Nazi "euthanasia" clinic. Gray Matter chronicles the director's personal journey as he searches for forensic psychiatrist Dr. Heinrich Gross (notoriously nicknamed "the Austrian Dr. Mengele"), who allegedly participated in these mad-scientist trial! s for decades after the Holocaust and the end of the war. Along his path towards the unknown, Berlinger meets clinic survivors and other remarkable voices, each of whom has new light to shed upon this shadowy legacy and the nation that now grapples with its own denial. Is Dr. Gross alive? Is he in hiding? Should his advanced age and scientific aspirations be measured today against the accountability of his misdeeds? Raising provocative yet respectful questions of guilt, redemption and the ethics of mankind, Berlinger sorts out the twists in one of history's lesser-known, unsolved puzzles.

Honeydripper

  • From Oscar® nominated director, John Sayles, comes an electrifying and vivid rock 'n' roll fable. When Tyrone, owner of the Honeydripper lounge, is faced with having to shut down his juke joint, his hopes rest on one man the famous Guitar Sam. It's a make or break weekend for the Honeydripper, this better be some Saturday night! With exquisite performances by Danny Glover, Char
Nicole Beharie (The Express), Will Patton (Entrapment, The Postman), Charles Dutton (TV's Roc, Mimic) and Alfre Woodard (TV's Desperate Housewives, Primal Fear) star in this gripping true-life story. Falsely accused of distributing narcotics in a school zone, Dee Roberts (Beharie) is offered a deal she can't refuse: plead guilty and accept a 10-year suspended sentence. The alternative: risk serving 16-to-25 in jail. Realizing a conviction would ru! in her life, Dee decides to fight back. Suing the DA for racial discrimination, Dee battles impossible odds in a case that will not only change her life but the laws of Texas as well.American Violet may be based on the story of outrageous injustices committed against Regina Kelly of Hearne, Texas, but that does not make it a good film. It is, at best, a bad film with an important message. American Violet is about a single mother of four, Dee Roberts (Nicole Beharie), who is wrongly convicted of drug charges due to police racism and corruption. As she struggles to stay out of prison with the help of her mother, Alma (Alfre Woodard), Dee exemplifies a stalwart woman who refuses to plead guilty when offered a plea bargain. While names of characters and the town itself are changed, the story in American Violet is allegedly altered only slightly in hopes of maintaining its tragic truth, that a plea-bargain system in Texas forced, in this case, impoverished a! nd sometimes innocent African Americans to accept guilty charg! es and t heir negative aftereffects. American Violet's melodramatic sensibility attempts to spark the same indignation that fuels ACLU lawyer David Cohen (Tim Blake Nelson) to embark on a lawsuit against the head racist, district attorney Calvin Beckett (Michael O'Keefe). Cohen, with the help of a former narcotics officer, Sam Conroy (Will Patton), discovers enough evidence to disturb any viewer. While it is crucial to have artful dialogue about this politically offensive topic, American Violet is not finely scripted or cinematically engaging enough to elevate it above second-hand documentary. Still, since the film does cover meaningful territory, there may be a place for it in classrooms, or it may inspire others to work on further exposing gross injustice for the benefit of our society. --Trinie DaltonNicole Beharie (The Express), Will Patton (Entrapment, The Postman), Charles Dutton (TV's Roc, Mimic) and Alfre Wooda! rd (TV's Desperate Housewives, Primal Fear) star in this gripping true-life story. Falsely accused of distributing narcotics in a school zone, Dee Roberts (Beharie) is offered a deal she can't refuse: plead guilty and accept a 10-year suspended sentence. The alternative: risk serving 16-to-25 in jail. Realizing a conviction would ruin her life, Dee decides to fight back. Suing the DA for racial discrimination, Dee battles impossible odds in a case that will not only change her life but the laws of Texas as well.American Violet may be based on the story of outrageous injustices committed against Regina Kelly of Hearne, Texas, but that does not make it a good film. It is, at best, a bad film with an important message. American Violet is about a single mother of four, Dee Roberts (Nicole Beharie), who is wrongly convicted of drug charges due to police racism and corruption. As she struggles to stay out of prison with the help of her mot! her, Alma (Alfre Woodard), Dee exemplifies a stalwart woman wh! o refuse s to plead guilty when offered a plea bargain. While names of characters and the town itself are changed, the story in American Violet is allegedly altered only slightly in hopes of maintaining its tragic truth, that a plea-bargain system in Texas forced, in this case, impoverished and sometimes innocent African Americans to accept guilty charges and their negative aftereffects. American Violet's melodramatic sensibility attempts to spark the same indignation that fuels ACLU lawyer David Cohen (Tim Blake Nelson) to embark on a lawsuit against the head racist, district attorney Calvin Beckett (Michael O'Keefe). Cohen, with the help of a former narcotics officer, Sam Conroy (Will Patton), discovers enough evidence to disturb any viewer. While it is crucial to have artful dialogue about this politically offensive topic, American Violet is not finely scripted or cinematically engaging enough to elevate it above second-hand documentary. Still, since the film ! does cover meaningful territory, there may be a place for it in classrooms, or it may inspire others to work on further exposing gross injustice for the benefit of our society. --Trinie DaltonViolet Brown is about to get a crash course in the penalties of the drug trade. Busted attempting to cross state lines with five kilos of Columbia’s finest, she finds herself facing a twenty-four year prison sentence, pregnant and alone. Find out what happens to Violet when the bars close on one of the most vicious correctional facilities in the state, and Begonia and her girls rip the city up to set things right.



Julia Press Simmons is a talented writer who captures the heart and soul of her character's emotions, making readers become attached to the characters within her novels. Each novel in the Strawberry Mansion series just gets better and better.
~Leona Romich~
Violet Brown is about to get a crash course in the penalties of the drug trade! . Busted attempting to cross state lines with five kilos of Co! lumbia†™s finest, she finds herself facing a twenty-four year prison sentence, pregnant and alone. Find out what happens to Violet when the bars close on one of the most vicious correctional facilities in the state, and Begonia and her girls rip the city up to set things right.



Julia Press Simmons is a talented writer who captures the heart and soul of her character's emotions, making readers become attached to the characters within her novels. Each novel in the Strawberry Mansion series just gets better and better.
~Leona Romich~
From Oscar® nominated director, John Sayles, comes an electrifying and vivid rock 'n' roll fable. When Tyrone, owner of the Honeydripper lounge, is faced with having to shut down his juke joint, his hopes rest on one manâ€"the famous Guitar Sam. It's a make or break weekend for the Honeydripper, this better be some Saturday night!

With exquisite performances by Danny Glover, Charles S. Dutton, Stacy Keach, Mary Steenburgen and Se! an Patrick Thomas; and featuring musicians Keb' Mo' and Dr. Mable Johnâ€"Honeydripper is an award winning film, full of great music and plenty of soul.Music has often played a significant part in John Sayles' stories, but in Honeydripper it largely is the story, as the veteran writer-director’s 2007 film depicts a significant (if mythical) turning point when the past reluctantly gave way to the future. The year is 1950. In the somewhat ironically-named town of Harmony, Alabama, old school blues pianist Tyrone "Pinetop" Purvis (Danny Glover) and his funky roadhouse, the Honeydripper, are on the skids, rapidly losing customers to the joint next door, where young people are flocking to hear more modern sounds. Against his better judgment, Pinetop dismisses his dignified but out-of-date singer (played by Dr. Mable John, one of the several real musicians who lend the film considerable authenticity) and books "New Orleans sensation" Guitar Sam, hoping to save his ! club from foreclosure. But Guitar Sam proves to be as elusive ! as Godot , and as the big night approaches, Pinetop is running out of ideas. Enter young Sonny Blake (Gary Clark Jr.), who ambles into town with his newfangled, self-constructed electric guitar and proceeds to rock the house with a style that suggests a combination of T-Bone Walker and Chuck Berry and effectively ushers in the rock 'n' roll era. Story-wise, that's about it. This is a character-driven film, and there are a lot of good ones, including Lisa Gay Hamilton as Tyrone’s conflicted wife, Charles Dutton as his partner, and Stacey Keach as the corrupt local lawman. It's also a film loaded with metaphors and symbols, including the electric guitar as the dividing line between old and new and blues musician Keb' Mo' as a kind of one-man Greek chorus, dispensing homilies before disappearing into the shadows. The pace is leisurely, the dialogue colorful, and Sayles (who not only edited the film but has a small acting role as well) once again shows himself to be a modest master at ! creating movies for those looking for good, no-frills entertainment. A 30-minute making-of featurette and cast interviews are the principal bonus features. --Sam Graham

Mr. Kipling's Army: All the Queen's Men

  • ISBN13: 9780393304442
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
THE PAST PROVED DEADLY...

No one knows the dangers of getting close to legendary CIA Black Ops specialist John Medina better than communications expert Niema Burdock. Five years ago, she and her husband worked with Medina on an explosive mission that ended in tragedy. Although she has slowly recovered from her terrible loss, Niema planned never to see Medina again. Until now.

HISTORY IS ABOUT TO REPEAT ITSELF....

A French arms dealer is supplying international terrorists, and only Niema can plant the bugs needed to crack the deadly ring. Against her best instincts, she infiltrates the dealer's glamorous world. But when the plan goes awry, Niem! a and Medina must take flight in a strange land -- and soon find their partnership sparked by an erotic charge. In a world of deception, John Medina has once again set Niema on a free fall into danger...and into desire like she's never known.Setting: contemporary Virginia, France, Iran
Sensuality: 7

CIA agent John Medina and electronics expert Niemi Burdock share a violent past: the two were part of a covert operation that went tragically wrong, resulting in the death of several people. Now, five years later, their paths cross again and John, whose love for Niemi has only grown over time, is determined to keep her in his life for good. Having spent the intervening five years living a solitary, staid existence--due to feelings of guilt over the ill-fated operation--Niemi is somewhat reluctant to reenter the shadowy world she once inhabited. Still, she can't resist the lure and excitement of danger when John asks her to join him on his latest mission to disco! ver the origins of a deadly new explosive already in use by t! errorist s.

Concocting a plan to reveal the source of the explosive, the two enter into a dangerous masquerade, walking a tightrope between safety and death, while passion boils beneath the surface. Unaware of John's feelings, Niemi fights her physical response to the legendary agent as her emotions, in frozen limbo for the last five years, thaw with astonishing speed.

First introduced in Kill and Tell, agent John Medina is as intriguing as the perilous world he operates in. Watching him in action, à la James Bond, is exhilarating--as is the single-minded intensity of his feelings for Niemi, whose ability to hold her own with John--on both a personal and professional level--and with the host of terrorists, spies, and double-dealers the pair encounter is impressive to say the least. Throw in a couple of chilling chase scenes, some romantic interludes hot enough to peel paint from the walls, and one or two bigger-than-life internationally connected characte! rs, and you've got the latest from Linda Howard--a romantic thriller that's sure to be coming soon to a bestseller list near you. --Lois Faye Dyer

THE PAST PROVED DEADLY...

No one knows the dangers of getting close to legendary CIA Black Ops specialist John Medina better than communications expert Niema Burdock. Five years ago, she and her husband worked with Medina on an explosive mission that ended in tragedy. Although she has slowly recovered from her terrible loss, Niema planned never to see Medina again. Until now.

HISTORY IS ABOUT TO REPEAT ITSELF....

A French arms dealer is supplying international terrorists, and only Niema can plant the bugs needed to crack the deadly ring. Against her best instincts, she infiltrates the dealer's glamorous world. But when the plan goes awry, Niema and Medina must take flight in a strange land -- and soon find their partnership sparked by an erotic charge. In a world! of deception, John Medina has once again set Niema on a free ! fall int o danger...and into desire like she's never known.Setting: contemporary Virginia, France, Iran
Sensuality: 7

CIA agent John Medina and electronics expert Niemi Burdock share a violent past: the two were part of a covert operation that went tragically wrong, resulting in the death of several people. Now, five years later, their paths cross again and John, whose love for Niemi has only grown over time, is determined to keep her in his life for good. Having spent the intervening five years living a solitary, staid existence--due to feelings of guilt over the ill-fated operation--Niemi is somewhat reluctant to reenter the shadowy world she once inhabited. Still, she can't resist the lure and excitement of danger when John asks her to join him on his latest mission to discover the origins of a deadly new explosive already in use by terrorists.

Concocting a plan to reveal the source of the explosive, the two enter into a dangerous masquerade, walking a tigh! trope between safety and death, while passion boils beneath the surface. Unaware of John's feelings, Niemi fights her physical response to the legendary agent as her emotions, in frozen limbo for the last five years, thaw with astonishing speed.

First introduced in Kill and Tell, agent John Medina is as intriguing as the perilous world he operates in. Watching him in action, à la James Bond, is exhilarating--as is the single-minded intensity of his feelings for Niemi, whose ability to hold her own with John--on both a personal and professional level--and with the host of terrorists, spies, and double-dealers the pair encounter is impressive to say the least. Throw in a couple of chilling chase scenes, some romantic interludes hot enough to peel paint from the walls, and one or two bigger-than-life internationally connected characters, and you've got the latest from Linda Howard--a romantic thriller that's sure to be coming soon to a bestseller list ! near you. --Lois Faye Dyer

THE PAST PROVED DE! ADLY...< /I>

No one knows the dangers of getting close to legendary CIA Black Ops specialist John Medina better than communications expert Niema Burdock. Five years ago, she and her husband worked with Medina on an explosive mission that ended in tragedy. Although she has slowly recovered from her terrible loss, Niema planned never to see Medina again. Until now.

HISTORY IS ABOUT TO REPEAT ITSELF....

A French arms dealer is supplying international terrorists, and only Niema can plant the bugs needed to crack the deadly ring. Against her best instincts, she infiltrates the dealer's glamorous world. But when the plan goes awry, Niema and Medina must take flight in a strange land -- and soon find their partnership sparked by an erotic charge. In a world of deception, John Medina has once again set Niema on a free fall into danger...and into desire like she's never known.All the Queen's Men and Other Tales is a collection of four sizzling mena! ge stories that range from eternal night to the depths of the sea. In Coming Home in the Night, Elizabeta has returned to give her old master, Yves, a proper send off. She never expected to see her old lovers, Dug and Tosco, too. Can the three of them rekindle their relationship?

In Triad, magicians Went and Artur live high in a mountain keep. Beautiful thief Lissa gets more than she bargains for when she invades their home. Will they convince her to stay? Out of the Sea gives us fisherman Grodin and Bardt, his young apprentice and lover. After an accident Bardt believes he can hear a mermaid calling to him, but Grodin can't believe the geri is anything but a monster. Will he be able to admit he was wrong?

Finally, in All the Queen’s Men, Trini is the heir to the throne of the Zati. When her mother arranges a marriage for her, Trini is furious. And defiant. It's up to Aide, Trini’s faithful companion, to walk the line between loyalty to his bel! oved Mistress and helping her accept her betrothed. Indulge in! a littl e magic with All the Queen's Men!All the Queen's Men and Other Tales is a collection of four sizzling menage stories that range from eternal night to the depths of the sea. In Coming Home in the Night, Elizabeta has returned to give her old master, Yves, a proper send off. She never expected to see her old lovers, Dug and Tosco, too. Can the three of them rekindle their relationship?

In Triad, magicians Went and Artur live high in a mountain keep. Beautiful thief Lissa gets more than she bargains for when she invades their home. Will they convince her to stay? Out of the Sea gives us fisherman Grodin and Bardt, his young apprentice and lover. After an accident Bardt believes he can hear a mermaid calling to him, but Grodin can't believe the geri is anything but a monster. Will he be able to admit he was wrong?

Finally, in All the Queen’s Men, Trini is the heir to the throne of the Zati. When her mother arranges a marriage for her, Trini is furious. And de! fiant. It's up to Aide, Trini’s faithful companion, to walk the line between loyalty to his beloved Mistress and helping her accept her betrothed. Indulge in a little magic with All the Queen's Men!WWII spy comedy. An American army officer (Matt LeBlanc) leads a mismatched team of British Special Services who must go in disguise as women and infiltrate a female-run Enigma factory in Berlin and bring back the decoding device that will end the war. The team, with the exception of one member who happens to be a drag performer (Eddie Izzard), must learn the basic skills for completing their mission, like walking in heels and applying lipstick. The American and his team stumble through the German factory in full drag, barely escaping the clutches of German soldiers, while attempting to complete the most important mission of their lives.All the Queen's Men has the makings of a broad comedy--in particular, it features men in dresses. At the height of World War II, Ameri! can agent Matt LeBlanc (Lost in Space, the TV series Friend s
) leads an oddball team behind enemy lines to steal a Nazi code-making machine; the trick is, the factory where the machines are made is entirely staffed by women, and so the team has to go in drag. But despite this seemingly farcical premise, All the Queen's Men is strongest in its dramatic elements, such as a scene in which the team is delayed when Allied airplanes bomb Berlin, forcing the undercover operatives to see the havoc of war from the other side. LeBlanc is the weak link; the rest of the team (David Birkin, James Cosmo, and brilliant comedian/transvestite Eddie Izzard) navigate the film's unstable tone and numerous implausibilities with considerably greater skill. --Bret Fetzer

Opening with an overview of the reigns of the first four Tudor monarchs, the author emphasizes just how much England was in need of a strong and charismatic ruler, particularly after the disastrous reign of "Bloody Mary." Subsequent chapters examine the make! up of the royal court and the personality of Elizabeth herself, showing how her perilous path to the throne taught her much that was to stand her in good stead as Queen.

The outrageous, but often glorious, story of Britain's pre-World War I Army.

This is an upstairs-downstairs view of the Victorian-Edwardian army, one of the world's most peculiar fighting forces. The battles it fought are household words, but the idiosyncracies and eccentricities of its soldiers and the often appalling conditions under which they lived have gone largely unrecorded. Byron Farwell explores here the lives of officers and men, their foibles, gallantry, and diversions, their discipline and their rewards.

Battle in Seattle

  • In November of 1999, Seattle broke into a full-scale state of emergency as thousands of peaceful protestors gathered in resistance to the World Trade Organization. The city s mayor, a SWAT cop on the streets and his pregnant wife, and four demonstrators are caught in the crossfire as their lives intersect in the ensuing riots. Stuart Townsend, in his debut writing and directing role, seamlessly me
Studio: Uni Dist Corp. (mca) Release Date: 03/10/2009 Run time: 98 minutes Rating: R For five days in 1999, all eyes were on Seattle. Irish actor Stuart Townsend makes his directorial debut with a multi-character recreation of the World Trade Organization’s ill-fated U.S. conference. If the structure recalls Crash and Babel, Townsend intensifies the you-are-there quality through well-integrated archival footage. The docudrama opens with the arrival of a group of anti-globalization! activists, led by Jay (The Ring's Martin Henderson), whose compatriots include Lou (Lost's Michelle Rodriguez) and Django (Outkast's André "3000" Benjamin, who provides a welcome dose of humor). As fictional Mayor Jim Tobin (Ray Liotta, wearing a touch too much eyeliner) tries to maintain order, TV reporter Jean (Connie Nielsen) strives for objectivity, police officer Woody Harrelson attempts to carry out the mayor's orders, and Dale's pregnant wife, Ella (Charlize Theron, Townsend's real-life girlfriend), just hopes to make it home in one piece (she gets stuck downtown at the height of the skirmish). Townsend admits he was inspired by Medium Cool, which filmmaker Haskell Wexler shot during 1968's Democratic National Convention. Paul Greengrass's Bloody Sunday also seems like a possible influence, and Greengrass regular Barry Ackroyd serves as cinematographer. If the characters rarely come alive the way they should, the action sequences easily ! convince, which is particularly impressive considering the bul! k of fil ming took place in nearby Vancouver, B.C. A true labor of love, Battle in Seattle presents a more balanced view than most accounts to date--even if Townsend ultimately (and understandably) sides with the peaceful protesters and passionate Third World representatives. --Kathleen C. Fennessy

Dig!

  • Running Time 107 Min System Requirements: Filmed over seven years (1996-2002) and culled from over 1500 hours of footage by rising director Ondi Timoner, DIG! plunges into the underbelly of rock n roll unearthing an amazing true tale of success, self destruction, friendship, and the ultimate rivalry between two up-and-coming bands; Brian Jonestown Massacre led by the tormented, self-destructi
A mysterious woven metal artifact is found at a paleontological dig in Africa. Mystified experts, confounded by the impossible timeline they get from traditional dating methods, call upon a stubborn nineteen-year-old with a unique talent. Matthew Turner's gift is also his curse: When he touches any object, his awareness is flooded with the thoughts and feelings of those who touched it before him. It is a talent that many covet, some fear, and almost no one understands. Despite being exploited as a child ! and tormented by the unpleasant experiences imprinted on him from the various items he has "read," Matthew agrees to travel from New York to the forests of Kenya. There, threatened by unknown enemies and helped by a beautiful but prickly ally who begins to understand his strange ability, he journeys back in geological time to make a discovery so shocking that it forces us to rewrite all human history.Seven years in the making and culled from over 1500 hours of footage, DIG! plunges into the underbelly of rock ‘n’ roll, unearthing an incredible true story of success and self-destruction. Anton A. Newcombe of the Brian Jonestown Massacre and Courtney Taylor of the Dandy Warhols are star-crossed friends and bitter rivals â€" DIG! is the story of their loves and obsessions, gigs and recordings, arrests and death threats, uppers and downers, and the delicate balance between art and commerce.

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Italian fabulist Italo Calvino observed that there are two kinds of artists--those who are prolific and successful, and the tortured geniuses, each gazing at the other in deep jealousy and admiration. The two rock bands chronicled in the documentary DiG! fall easily into this equation. On the side of the tortured geniuses is the Brian Jonestown Massacre, led by the psychedelic and volatile Anton Newcombe. Portland's the Dandy Warhols, fronted by Courtney Taylor, fulfill the role of the artists who, while unable to plumb the artistic depths of their friendly rivals, achieve a fair degree of popular acclaim (in Europe, anyway). Shot over seven years and containing some astonishingly intimate footage, the film represents a labor of love for director Ondi Timoner, who b! efriended, lived, and traveled with the bands. DiG! will likely be most remembered for a remarkable scene of rock and roll implosion--a show in LA's Viper Room after which the Brian Jonestown Massacre were expected to ink a record deal. Instead, the band erupted in a fist fight onstage. Among themselves.

Does it go uphill or downhill from here? Depends on your definition of the terms. While dooming their careers, the Brian Jonestown Massacre manage to crank out an! insane number of self-distributed albums--including three rec! ords in a single year. Courtney Taylor and the Dandies regard the musical output of their peers worshipfully and find themselves virtually ignored stateside but huge stars across the pond. While tens of thousands of fans in Germany and the UK sing along to every word at sold-out festivals headlined by the Dandies, Newscombe leads his crew in a nine-hour set in a dingy club for an audience of ten. Throughout the film there are controlled substances imbibed, clothing shed, sitars broken, punches thrown, arrests made. Taylor performs double duty as narrator of the film, begging the question of whether to accept his assertion that he fronts "the most well-adjusted band in America" at face value. The destined-for-greater-things Joel Gion, BJM's tambourine player, is the thief of every scene in which he appears, playing Flavor Flav to Newscombe's Chuck D. For those who want even more immersion, the DVD includes the option to "zoom," or expand, various scenes--a very cool feature. Those re! sponsible for the hilarious excesses of DiG! have made a movie worthy of being mentioned in the same breath as This Is Spinal Tap, as mixed an honor as that might be.

DVD Features

The second of this set's two discs is practically its own sequel. Director Ondi Timoner had 1500 hours of footage to work with, so there was plenty of good material left on the cutting-room floor that found its way onto this supplemental disc. The deleted scenes include an unintentionally haunting pre-9/11 interview on a New York rooftop with BJM's Anton Newcombe; the twin towers loom behind the singer ! as he attempts to justify singing about love yet engaging in v! iolence, drawing tenuous parallels between himself and militant prophets throughout history. This, and Newcombe's delight in listening to Charles Manson's musical recordings, is about as heavy as it gets, though. Other extras include various videos by the bands, with the conspicuous absence of the Dandy Warhol's David LaChapelle-directed "Not if You Were the Last Junkie on Earth." (The omission is understandable in light of the Dandies' sour grapes over the $400,000 video.) The Where Are They Now features find various members of the bands a little older and reflective, with new families and new gigs, reminiscing fondly on the seven years spent under Timoner's watchful spycam. As is the case with the film proper, the mood picks up whenever Joel Gion appears. When is this guy going to get his own talk show? For fans of Timoner's commentary on disc 1 there is--get this--footage of the director and her partners recording that commentary. Why there's no footage of Timoner watching and co! mmenting on the footage of herself recording the commentary is anyone's guess. --Ryan Boudinot

Dig These Discs by the Brian Jonestown Massacre


Tepid Peppermint Wonderland: A Retrospective

Strung! Out in Heaven

Bravery Repetition & Noise

And This Is Our Music

Thank God for Mental Illness

Bringing It All Back Home! Again

Dig These Discs by the Dandy Warhols

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Welcome to the Monkey House

Thirteen Tales from Urban Bohemia

The Dandy Warhols Come Down

Dig These Documentaries (and One Classic Mockumentary) on DVD


This Is Spinal Tap (Special Edition)

Metallica: Some Kind of Monster

Hype

X (The Band): The Unheard Music

< I>End of the Century: The Story of the Ramones

Gimme Shelter


The Big Bang Theory Bazinga Pullover Red Men Hoodie (L)

  • This Hoodie features the The Big Bang Theory Bazinga Message on the front.
Official Licensed The Big Bang Theory Hoodie. This Hoodie features the The Big Bang Theory Bazinga Message on the front. Manufactured by Ripple Junction. Adult men size.

Fierce People

  • Actors: Diane Lane, Donald Sutherland, Anton Yelchin, Chris Evans, Kristen Stewart.
  • Format: AC-3, Closed-captioned, Color, Dolby, DVD, Subtitled, Widescreen, NTSC.
  • Language: English. Subtitles: English, Spanish.
  • Region: Region 1 (U.S. and Canada only).
  • Rated: R. Run Time: 107 minutes.
FIERCE PEOPLE - DVD MovieTaking F. Scott Fitzgerald's adage "The very rich are different from you and me" as his guide, actor-director Griffin Dunne (Practical Magic) paints a poisonous portrait of privilege. When coke-addicted masseuse Liz Earl (Diane Lane) hits rock bottom, she calls in a favor with an affluent client. In exchange for her services, Ogden Osborne (Donald Sutherland in a sly performance) welcomes Liz and her 16-year-old son, Finn (Anton Yelchin), to his East Coast estate. Liz stops drinking and drugging, while Finn bonds with Ogden's grandchildren, Bryce (C! hris Evans) and Maya (Kristen Stewart). Though his mother starts dating Ogden's physician, Finn remains convinced her services extend beyond the therapeutic. Nonetheless, he grows fond of the sensitive, if controlling billionaire. Finn's own father, an anthropologist, deserted him years ago to study the Ishkanani, i.e. "the fierce people," of South America. When Finn is attacked by a masked figure, his warm feelings towards the Osbornes turn cold. At this point, the film takes a disappointingly conventional turn as Finn tries to determine who abused him--and to initiate some payback. If the basic premise never quite rings true, the director, son of bestselling author Dominick Dunne, carries on family tradition in trying to understand what makes people like Ogden tick (Dirk Wittenborn adapted the screenplay from his novel). Dunne's sympathies may lie with Liz and Finn, but obvious advantages aside, Ogden runs away with the show. He may indeed be "different," but he's also th! e most fully rounded character in the entire muddled exercise.! --Ka thleen C. Fennessy

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