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Stills from Bart Got a Room (Click for larger image)
House has always tackled fascinating cases and that continues this season, though the symptoms aren't overly dramatic by House standards. The team tries to save a man whose family history indicates that he will die of a heart attack before he turns 40. They try to help a brilliant ! scientist whose depression and addictions make him feel he's better suited for a simpler life as a courier. And Wilson (Robert Sean Leonard) may once again be grappling with cancer. It's a credit to this show that while it features such a strong lead character, the costars don't get shafted in the process. Wilson is one of the show's most charming characters and, by default, has become House's best friend. The two of them share a home and bicker like an old married couple. When a woman they both are attracted to mistakenly assumes that they're a complicated gay couple, we can't help but laugh. But Wilson's love life is made difficult by the return of his ex-wife and House doesn't want to see his friend hurt again. He can abuse Wilson, but he doesn't want her to do the same.
House's boss Cuddy (Lisa Edelstein) has her own issues, juggling a harried personal life and the complications that come with trying to keep House in line. Chase (Jesse Spencer) falls under scrutiny ! this season after treating a controversial politician who he f! ears wil l murder innocent civilians. He finds himself struggling with the Hippocratic oath to treat all patients--even the ones he finds distasteful--to the best of his ability. And of the main characters on the show, one will be fired, another will profess their love for a colleague, and three of them will look for love via a speed-dating service. Yes, the story lines are all over the place, but then again, so is House. --Jae-Ha Kim
It's been said that there are no new ideas; but there are proven ideas that have worked again and again for all writers for hundreds of years.
Story Structure Architect is your comprehensive reference to the classic recurring story structures used by every great author throughout the ages. You'll find master models for characters, plots, and complication motifs, along with guidelines for combining them to create unique short stories, novels, scripts, or plays. You'll also learn how to:
This browsable and interactive book offers everything you need to craft a complete, original, and satisfying story sure to keep readers hooked!
Was the financial collapse caused by free-market capitalism and deregulation run amok, as liberals claim?
Not on your life, says Peter Schweizer. In Architects of Ruin, Schweizer describes how a coalition of left-wing activists, liberal politicians, and âdo-good capitalistsâ on Wall Street leveraged government power to achieve their goal of broadening homeownership among mi! norities and the poor. The results were not only devastating to the economy, but hurt the very people they were supposedly trying to help.
This tale of liberal âRobin Hood capitalism run wildâ has never been told. But more than just a story about the past, Architects of Ruin is also an urgent warning about the future. The very same people who planted the seeds of the collapse are back in Washington, determined to use the crisis they caused as cover for a massive overhaul of the American economic system. These people have learned nothing from their past mistakes and are busy applying the same methods to other sectors of the economyâ"health care, the auto industry, real estate (again!), and above all the promotion of âgreenâ technologiesâ"inflating bubbles that are sure to bring about another crisis. Ordinary Americans who foot the bill for the last state-capitalist bubble have reason to be afraidâ"very afraidâ"of the inevitable result.
The best ! and brightest 40k authors provide new material for upcoming Sp! ace Mari ne Battles booksFor nearly 10 years, William Van Winkle has interviewed some of the most brilliant and influential innovators, scientists, entrepreneurs, and luminaries behind today's technologies. In the âArchitects of Tomorrowâ series, the best of these interviews, all originally published in CPU magazine, are gathered into one place. Each interview contains previously unpublished and expanded content plus loads of 2011 follow-up discussion, making each chapter relevant and fascinating. For those who might find the 25 interviews in Volume 1 more than a mouthful, the dozen interviews of Volume 2 (plus an additional three free interviews available directly from the author) will be an equally fascinating read at a more manageable size.
The film is so cheerfully raunchy, so fiercely crude, that the humor becomes as intoxicating as the mind-altering substances. The standout in the ensemble is Zach Galifianakis, who is alternately creepy and hilarious. Ed Helm (The Office), in addition to his memory, loses a tooth in uncomfortably realistic fashion, and Bradley Cooper (He's Just Not That into You) has deadpan comic timing that whips along at the speed of light. "Ma'am, you have an incredible rack," he blares to a pedestrian from the squad car the guys have "borrowed." "I should have been a [bleeping] cop," he tells himself approvingly.
Director Todd Phillips brings back his deft handling of the actors and the dude humor that worked so well in Old School, as well as the unctuous Dan Finnerty, memorable as a lounge/wedding singer in both films. But it's the nonstop volley of jokes--most cheerily politically incorrect--that grabs the audience and thrashes it ar! ound the hotel room. Just watch out for the tiger in the bathr! oom. --A.T. Hurley
